"I think we shall soon be very good friends," she said in a gracious
voice. "Our present Director is a bit of a bully, and I believe hates
women." She shrugged her shapely shoulders. "Well, he is ancient and
cantankerous. You are young; I am sure you do not hate women, just
because they are the inferior sex."
The smile that accompanied the words became more seductive. Corsini
was a little put to it to preserve his equilibrium. He had been
welcomed cordially by a Princess and her charming daughter. Here was a
celebrated _prima donna_ of great beauty, openly declaring that she
was ready to flirt with him--ready to be made love to, if he were
disposed that way.
He paid her some gallant compliments, of the kind that come readily to
the lips of members of the Latin races; but, as he did so, his glance
stole unconsciously to the lovely young Princess, and involuntarily
there came into his eyes a light that was noted by the observant
Spanish woman.
"You admire the Princess Nada Zouroff immensely. Is it not so? You
have a good excuse; she is certainly very beautiful. An exquisite bud
rather than a full-grown rose, eh, my friend?"
"Perhaps, Madame," replied the diplomatic Italian. "But all flowers
are beautiful, whether in bud or full blossom."
"For myself, were I a man, I should not be very greatly attracted by
immaturity. We are using flowers in the form of an allegory. Of course
we are really speaking of women." She threw at him one of her most
dazzling smiles. There was nothing immature, nothing of the ripening
bud about the opulent beauty of La Belle Quéro.
Corsini, seeing what was expected of him, returned that alluring smile
with a glance of respectful admiration. He had already gathered that
she was a popular idol, and wielded great influence in the musical
world.
Personally, he preferred the simpler and more modest loveliness of the
charming young Princess. But it was politic to win the good opinion of
such an influential personage, and she was evidently not the sort of
woman to tolerate rivalry.
For the next five minutes he made himself as agreeable as possible,
and the handsome singer was obviously impressed. Their conversation
was interrupted by the arrival of the conductor of the concert, who
intimated to Corsini that his would be the next turn.
Madame Quéro rose. "I must not keep you. Well, I hope we shall be very
great friends. I shall stay to hear your solo and then I shall leave.
I feel just a little fatigued to-night; not quite in the mood for this
sort of scene, gay and brilliant as it is."
Public-domain text, read in full here on John Shaqi.
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