I was delighted with this activity, especially as I hoped for a part of
the profit for myself at the end of the year; but Herr Steiner, instead
of accounting to me, assured me that I could entertain no hopes for ten
years, as Herr von Hartl's investment of twenty thousand gulden would
have to be repaid before there could be any question of dividing
profits. I realized what this meant; and to avoid bringing a lawsuit,
for which I lacked the means anyway, I decided to sell Herr Steiner my
interests. He offered me six hundred gulden, and when, at last, I
accepted it, he paid me fifty gulden because he had a claim on Herr
Gleissner for five hundred and fifty gulden, something of which I had
been in ignorance.
The loss of this business pained me, but Herr von Hartl comforted me
with the example of other inventors, who had received no better returns.
Now the cotton-printery was my only hope. A third of the Pottendorf
Company had declared itself in favor of erecting a factory, and in fact
one thousand two hundred gulden had been appropriated to make a trial on
a large scale. I went to Pottendorf and ordered a machine in which the
cylinders were of cast-iron instead of copper, because Herr Thornton had
two very handsome iron cylinders, two yards long and eight inches in
diameter, which had been intended for another purpose but were
sufficient for my trials.
As soon as the printing-machine was ready, Herr Thornton had it
connected with the water-wheel of the cotton-spinnery, so that one
needed only to pull a cord to set the cylinders in motion and see the
printing of the cotton proceed without human help, as if of itself.
Nothing was needed now except to etch the design in the upper cylinder.
The design consisted of a simple little flower, many times repeated, and
it seemed to me to be anything except difficult. But after I had covered
the cylinder with the etching surface and started to work with the
graver, I saw, after a very few strokes, why it had not been possible
before this to produce cotton patterns by etching and why engraving had
been necessary.
It was not possible for me to draw even three of the little flowers into
the etching surface with the free hand so firmly and evenly as this sort
of printing demanded if it was to appear thoroughly accurate to the eye.
This was in spite of the fact that I had first drawn the design
carefully in measured squares on stone and transferred it in red to the
black cylinder. My strokes were too trembling and uneven, so that I
nearly gave up the hope of ever doing anything excellent in this way,
unless I were to expend as much or more time than would be needed for
the regular process of engraving.
The failure of this attempt, and the disgrace that would come to me as a
result, spurred me on to invent some method to overcome the difficulty
of drawing. I succeeded so unexpectedly that the very failure became the
means to greater perfection.
Public-domain text, read in full here on John Shaqi.
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