Although our connection was broken in this manner, and despite the fact
that we had not won the expected results, still stone-printing had
attained respect and support through Freiherr von Aretin's patronage. We
had to thank him for the fact that our institution was praised by the
most celebrated native and foreign statesmen, and even by their Royal
Highnesses, the Crown Prince of Bavaria and his most noble sister
Charlotte, present Empress of Austria. Our beloved Crown Prince wrote on
paper with the so-called chemical or stone-ink, "Lithography is one of
the most important inventions of the century." And his noble sister
wrote the short but eloquent words, "I honor the Bavarians!" These lines
were printed on the stone in their presence.
His Royal Highness the Crown Prince exhibited so much interest in this
Bavarian invention that he condescended to order the sculptor,
Kirchmeier, of Munich, to model my bust in plaster, so that in the
future, when lithography should have attained an honorable place in the
whole public estimation, it could be carved in stone and erected among
the most celebrated artists of Bavaria.
In general my connection with Freiherr von Aretin had given me several
well-founded prospects for an active and honorable future. He promised
that, when his circumstances permitted, he would put me into position to
use my entire time only for making useful inventions, for which purpose
I should have all the material and workers that I might need. We would
then investigate all branches of art and industry, to discover
possibilities of improvement. He possessed the true viewpoint,
appreciating how I could best be useful to the fatherland, and perhaps
to all humanity. I shall ever consider it as my greatest misfortune that
circumstances made it impossible to carry out this plan, and thus to
justify the great confidence that he reposed in my inventiveness and
ability.
A second beautiful hope arose in France, where I was encouraged by
Freiherr von Aretin to expect the management of an imperial lithographic
institute, with a great financial allowance, Herr von Manlich, and the
French artist, Herr Denon, who was in high favor with Napoleon, having
made strong efforts to that end. This hope also met disappointment owing
to the circumstances of the times.
A third hope of no less importance was to erect a cotton-printery in
Munich or Augsburg in association with His Excellency Count von Arco,
Court Chamberlain of Her Royal Highness the widowed Kurfürstin of
Bavaria. This was ruined by the clumsiness of a Munich wood-turner, who
made such uneven cylinders that we could not produce any satisfactory
specimens. Although I made arrangements at once for a large English
machine, like those used by Mr. Thornton, its manufacture was so slow
that two years elapsed, and during this time our entire lithographic
establishment was dissolved.
Public-domain text, read in full here on John Shaqi.
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