It would surely have succeeded had not the correspondent of the Fabers failed in business after bringing suit, owing to which the matter got into another lawyer's hands. This man immediately adopted a new strange course. Instead of demanding a fulfillment of the contract, he sued for twelve thousand gulden damages for their loss of time. Of course I had to fight for my skin now; and as he refused to content himself with my agreement to fulfill the contract, I was forced at last to defend myself by falling back on the royal rescript. Thus I escaped by merely repaying the money already advanced; but I lost the considerable sum that would have been assured to me had I been permitted to spend only two months in St. Polten. Thus none of the good prospects that opened themselves through my connection with Freiherr von Aretin proved so good as I had been justified in hoping: nay, it seemed as if I had only labored day and night to give others the benefits accruing from my painful labors, while I barely supported existence. Freiherr von Aretin wished that the management of the business be in the hands of a man who possessed his own fullest confidence, but whom I did not consider at all suitable, as he was a royal official and as such could not do business in a public shop. Consequently the trade was carried on in his own residence, which was known to only few people and where nobody looked for the manifold things that we could have produced to good profit. This at last lowered our establishment to a mere job printery, which finally could not maintain itself, because more and more similar establishments were started in Munich, and the prices for work became lower and lower through their hungry competition. It may not be uninteresting to tell briefly how so many printeries happened to be undertaken. The first was established by Gleissner and myself, and was continued afterward in my name by my brothers Theobald and George, until 1805. They sold the secret to the Feyertag School, where an excellent art institute developed gradually under Herr Mitterer. Strohhofer learned the elements of the process from my brother Karl, and associated himself, in 1806, with Herr Sidler, royal court musician, who had studied first with my brothers, then with Madame Gleissner, and then in the Aretin printery. When Strohhofer left Munich, Sidler erected a stone-printery for the Government, and after he had obtained an official permit before the expiration of my franchise, he established his own institution, producing very good work.