The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
The hypothesis, for it is nothing more, that all the early prints were
produced by the frotton does not satisfactorily explain the large
production of merchantable printed matter during the first half of the
fifteenth century. Friction would have served then, as it does now, for
trial proofs or experiments, but it was a method altogether too slow
and uncertain to meet the requirements of an extended business. The
playing cards and prints so common during this period must have been
made by a quicker method. That there was an established international
trade in playing cards and in other kinds of printed work, as early as
the year 1441, may be inferred from the following decree of the senate
of Venice: [p089]
1441, Oct 11. Whereas, the art and mystery of making cards and printed
figures, which is in use at Venice, has fallen to decay, and this in
consequence of the great quantity of printed playing cards and colored
figures which are made out of Venice, to which evil it is necessary
to apply some remedy, in order that the said artists, who are a great
many in family, may find encouragement rather than foreigners: Let
it be ordained and established, according to the petition that the
said masters have supplicated, that from this time in future, no work
of the said art that is printed or painted on cloth or paper-that
is to say, altar-pieces, or images, or playing cards, or any other
thing that may be made by the said art, either by painting or by
printing-shall be allowed to be brought or imported into this city,
under pain of forfeiting the work so imported, and thirty livres and
twelve soldi, of which fine one-third shall go to the state, one-third
to Giustizieri Vecchi, to whom this affair is committed, and one-third
to the accuser. With this condition, however, that the artists who
make the said works in this city shall not expose the said works
for sale in any other place but their own shops, under the penalty
aforesaid, except on the day of Wednesday at S. Paolo, and on Saturday
at S. Marco.[23]
The engraved images here noticed were probably prints of saints or
sacred personages like those of which engraved illustrations have been
given on previous pages. The altar-pieces were prints upon cotton or
linen cloth, of a similar character, but of much larger size.[24]
Playing cards, which are twice mentioned in the decree, seem to have
been considered as of equal importance with images and altar-pieces.
The specification of three distinct kinds of printed work, coupled as
it is with the allusion to “any other thing that may be made by the
said art,” is an intimation that the manufacturers, “who were a great
many [p090] in family,” were even then applying the art of printing and
colored stenciling to many other purposes.
Public-domain text, read in full here on John Shaqi.
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