The attacks of the clergy had no permanent effect. At the end of the fifteenth century, playing cards were more popular than ever. Other games were invented, and new forms of cards of quainter or of more graceful patterns were produced. Sometimes they were engraved on copper plates, and were painted with all the delicacy of fine miniatures. Despairing of success in their attempts to entirely abolish the practice, moralists undertook to divert cards from their first purpose, and to make them a means of instruction as well as of amusement. Of this character is an old pack of fifty cards engraved on copper plates, and supposed to be the work of Finiguerra, which has been preserved in an Italian library. One of the cards bears the printed date, 1485. The pack is divided in five suites: the first suite contains cards that represent, by figures and words in the Venetian dialect, the various conditions of men from the pope to the beggar; the second suite contains the names and figures of the nine muses, with Apollo added to make the complement; the third illustrates branches of polite learning from grammar to theology; the fourth exhibits cardinal virtues, like justice and prudence; the fifth, displays the heavenly bodies, the Moon, Saturn, the stars, Chaos and the First Cause. This game, obviously made up for the benefit of young collegians, was, probably, no more popular with them than the scientific story books of 1820–30 were with the boys of that period. The combination of abstruse sciences with a frivolous amusement may rightfully be considered a problem of despair.