The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
Thomas Murner, a professor of philosophy at Cracow in 1507, undertook
to make use of playing cards for teaching high scholastic science.
He published a book which he called [p104] _Logical Playing Cards,
or Logic Realized and Made Comprehensible through Pleasant Exercises
with Pictures_. The cards were filled with mysterious symbols intended
as keys to the entire art of reasoning. The difficult science was
adapted to the meanest capacity, by puerile methods which subsequently
provoked the contempt of Erasmus. Each card had some pedantic name like
Proposition, Predicate or Syllogism. Could there be a more unattractive
game?
Eminent German artists—among them Martin Schongauer and the Master
of 1466—undertook to supplant the stiff and barbarous figures that
had been used on playing cards, with designs of merit. They drew and
engraved new face figures of most extraordinary character, in which
satirical and poetic fancies were strangely blended. The amorousness of
the monks and the coquetry of the ladies, the quarrels of termagants
among the peasantry, the revenge of hares who are roasting their enemy
man and his friend the dog, are the subjects of some cards. On other
German cards of this period are represented, in startling contrast, the
sweet and saintly faces of pure women, heroic men riding in triumph,
and filthy sows with their litters.
Jost Amman[36] designed, and perhaps engraved, a full pack of cards
which was published in book form with explanatory verses in Latin and
German. Rejecting the established forms of hearts, clubs, spades and
diamonds for the designation of the suites, he substituted books,
printers’ inking balls, wine pots and drinking cups. The moral that he
endeavored to inculcate was the advantages of industry and learning
over idleness and drunkenness. But the intended moral is not as clear
as it should be. Some of the figures are exceedingly gross, although
they are drawn with admirable skill and spirit.
[Illustration: French Card of the Fifteenth Century.
[From Lacroix.]]
[Illustration: German Card of the Sixteenth Century.
[From Lacroix.]]
[Illustration: German Card of the Sixteenth Century.
[From Lacroix.]]
[Illustration: German Card of the Fifteenth Century. [From Breitkopf.]]
Public-domain text, read in full here on John Shaqi.
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