The journal of Montaigne's travels in Italy by way of Switzerland and Germany in 1580 and 1581, Volume 2 (of 3)Montaigne, Michel de
History
The journal of Montaigne's travels in Italy by way of Switzerland and Germany in 1580 and 1581, Volume 2 (of 3)
Montaigne, Michel de
Germany -- Description and travel; Italy -- Description and travel; Switzerland -- Description and travel
This town lies at the foot of a range of mountains, the houses being
built along the somewhat steep ascent of the lower slopes. On this
account the site and the prospect therefrom are magnificent, forasmuch
as the view extends over a boundless plain, and includes the great city
of Rome. It faces the sea, the mountains stand in the rear, the stream
of the Teverone flows through it and, close by, takes a marvellous
leap, descending from the mountains and disappearing in a chasm of the
rocks some five or six hundred paces below. Afterwards it reaches the
plain, where it follows a course greatly varied, and joins the Tiber a
little above the city. In Tivoli is to be seen the famous palace and
garden of the cardinal of Ferrara, a most exquisite piece of work, but
unfinished in several parts and likely to remain so, as the cardinal
now owning it has stopped all operations.[128] I looked at everything
minutely, and I would attempt to set down here some representation
thereof, if so many books and illustrations had not been already
published. This outburst of a countless number of jets of water,
turned on or off by a single appliance manipulated at some distant
point, I had seen elsewhere during my travels, notably at Florence and
Augsburg, as I have already recorded. Here real music is produced from
a sort of natural organ, which always plays the same tune, by the means
of water which falls with great force into a round vaulted recess where
it disturbs the air and forces it to seek an exit, and at the same time
supplies the wind necessary to make the organ pipes sound. Another
stream of water turns a wheel fitted with teeth, which are set so as to
strike in a certain order the keyboard of the organ, and the sound of
trumpets is also counterfeited by the same agency.
[Illustration: THE VILLA D’ESTE AT TIVOLI
_To face p. 166_, vol. ii.
]
In another place one may hear the song of birds, which is produced
by small bronze flutes, such as are seen at feasts, and give a sound
similar to that produced from those little earthen vessels full of
water into which children blow with a mouthpiece. This is worked by
mechanism like that used in the organs; and by another device an owl
is made to appear on the top of a rock, whereupon all the harmony
ceases at once, the birds being terrified at his presence. Then the
owl retires and they sing again. Thus they may be brought forward and
made to retire in turn as long as any one likes. Elsewhere a noise like
the report of a cannon is produced, and again other sounds, less loud
and very frequent, like the fusilade of arquebusiers. This is made by
the sudden falling of water into certain pipes, the air therein, by
struggling to find a vent, causing this noise. These same inventions,
or something like to them, working by the same natural causes, I have
seen in other places.
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