The men of color were apparently not content with winning the victory; they must furnish material for dissension for many days afterwards. When the British army withdrew from Louisiana on January 27, 1815, they carried away with them 199 slaves, whom they had acquired by the very easy method of taking them willy-nilly. The matter of having these bondmen restored to their original owners, of convincing the British that the Americans did not see the joke of the abduction caused one of the most acrimonious discussions in the history of the State. The treaty between the two countries, England and America, was distorted by both sides to read anything they wished. The English took a high stand of altruism, of a desire to free the oppressed; the Louisianians took as high a stand of wishing to grow old with their own slaves. It was an amusing incident which the slaves watched with interest. In the end the colored men were restored, and the interpretation of the treaty ceased.[75] Following the War of 1812 the free people of color occupied a peculiar position in Louisiana, especially in New Orleans. There were distinct grades of society. The caste system was almost as strong as that of India. Free people of color from other states poured into Louisiana in a steady stream. It was a haven of refuge. Those were indeed halcyon times both for the Creole and the American, who found in the rapidly growing city a commercial El Dorado. For the people of color it was indeed a time of growth and acquisition of wealth. Three famous streets in New Orleans bear testimony to the importance of the colored people in the life of the city. Congo Square, one of the great open squares in the old Creole quarter, was named for the slaves who used to congregate in its limits and dance the weird dances to the tunes of blood-stirring minor strains. Those who know the weird liet-motif of Coleridge-Taylor's Bamboula dance have heard the tune of the Congo dance, which every child in New Orleans could sing. Gottschalk's Danse des Negres is almost forgotten by this generation but in it he recorded the music of the West Indians. Camp Street, to-day one of the principal business streets in the city, was so called because it ran back of the old Campo de Negros.[76] Julia Street, which runs along the front of the so-called New Basin, a canal of great commercial importance, connecting, as it does, the city with Lake Pontchartrain, and consequently, the greater gulf trade, was named for one Julia, a free woman of color, who owned land along the banks.[77] What Julia's cognomen was, where she came from, and whence she obtained the valuable property are hidden in the silent grave in which time encloses mere mortals. Somewhere in the records of the city it is recorded that one Julia, a F. W. C. (free woman of color), owned this land.