'Take your own course, then, you foolish, obstinate girl!' cried
Lazare, springing into the water again. 'I sha'n't help you, remember
that.'
Then they slowly started on their return to the shore. They sulked with
each other and would not speak. When Lazare heard Pauline beginning
to pant, he told her that she had better turn upon her back again and
float, but she did not appear to hear him. The rent in her costume
was widening. At the slightest attempt to turn, her breast would have
burst clear out of the water. Lazare, at last, apparently began to
understand things, and, seeing how tired she was, and fearing that she
would never be able to reach the shore without assistance swam close
to her, resolutely determined upon bearing her up. She tried to escape
him, however, and to continue swimming by herself. But at last she was
obliged to yield to him; and when they reached the shore again, Lazare
was holding her in a close embrace.
Madame Chanteau had rushed down to the edge of the water in a terrible
state of alarm, while Matthew stood in the sea up to his stomach,
barking loudly.
'How wicked and foolish of you! I told you that you were going too far!'
Pauline had fainted. Lazare carried her on to the sand as though she
were a child. And all at once she heaved a deep sigh and opened her
eyes. As soon as she recognised her cousin, she burst out sobbing and
nearly choked him with her hysterical embrace, as she kissed him full
on the lips. She hardly knew what she was doing; she was acting under
the influence of a sudden impulse of love, which the consciousness of
her escape from death had sent thrilling through her.
'Oh! how good you are, Lazare! Oh! how I love you!'
He shook, almost unbalanced by the impetuosity of his cousin's kiss.
While Madame Chanteau was dressing her, he went off of his own accord.
The walk back to Bonneville was slow and painful, as both the young
people were thoroughly worn out with fatigue. Madame Chanteau walked
between them, thinking that the time had come for decisive action.
Public-domain text, read in full here on John Shaqi.
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