On the first few occasions Madame Chanteau refused to take any money
from the drawer without notifying Pauline.
'There are some payments to be made on Saturday, my dear,' she would
say. 'Will you come with me upstairs, and settle what scrip we shall
sell?'
'Oh! there's no occasion for that, aunt,' Pauline would reply. 'You can
settle that yourself.'
'No, my dear, you know that I never do anything without consulting you.
It is your money.'
In time, however, Madame Chanteau grew less rigid in this respect. One
evening Lazare told her of a debt which he had concealed from Pauline,
five thousand francs spent on copper pipes which had not even been
used. She had only just returned from a visit to the drawer with her
niece, so she went upstairs again by herself, on seeing the despair her
son was in, and took out the extra five thousand francs, on a solemn
promise that he would repay them out of the first profits.
But from that day her old strictness departed, and she began to take
scrip out of the drawer without consulting Pauline. She found it a
little unpleasant and humiliating, too, at her age, to be continually
consulting a mere child, and she rebelled against doing so. The money
would all be paid back to Pauline; and, even if it did belong to her,
that was no reason why one should never be able to make the slightest
move without obtaining her permission. So from this time she ceased to
insist on Pauline accompanying her on her visits to the secrétaire.
Pauline was really happier in consequence, for, in spite of her kind
and generous heart, those constant withdrawals of money perturbed her.
Her common-sense began to warn her of the probability of a catastrophe,
and the feelings of prudence and economy which she had inherited
from her mother were now roused in opposition to all the reckless
expenditure. At first she was surprised at Madame Chanteau's silence,
for she felt sure that the money was going the same way as before, with
the one difference that she was not being consulted about it. After
a little time, however, she felt that she preferred it to be so. It,
at any rate, saved her the grief of seeing the bundle of papers grow
smaller at each visit to the drawer. Between herself and her aunt there
was but a quick exchange of glances at certain times; a steady anxious
gaze on the girl's part, when she guessed some further abstraction, and
a vacillating look from Madame Chanteau, who felt irritated that she
should be obliged to turn away her head. Thus bitterness and dislike
began to arise between them.
Public-domain text, read in full here on John Shaqi.
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