Would that one of those excellent philanthropists who has grown so
accustomed to giving a million to libraries and universities that the
act has become slightly mechanical--might realize that he has, with
all his generosity, made no provision as yet for helping one of the
most indispensable of all educational institutions--the poet. Would
that he might realize how little good the poet of genius can derive
from the universities--places whose conservative formalism is even
dangerous to his originality, because they try to melt him along with
all the other students and pour him into their one mold. It is
distressing to think of all the sums now devoted to inducing callow,
overdriven sophomores to compose forced essays and doggerel, by luring
them on with the glitter of cash prizes. One shudders to think of all
the fellowship money which is now being used to finance reluctant
young dry-as-dusts while they are preparing to pack still tighter the
already overcrowded ranks of "professors of English literature"--whose
profession, as Gerald Stanley Lee justly remarks, is founded on the
striking principle that a very great book can be taught by a very
little man. This is a department of human effort which, as now usually
conducted, succeeds in destroying much budding appreciation of poetry.
Why endow these would-be interpreters of poetry, to the neglect of the
class of artists whose work they profess to interpret? What should we
think of England if her Victorian poets had all happened to be
penniless, and she had packed them off to Grub Street and invested,
instead, in a few more professors of Victorian literature?
Why should not a few thousands out of the millions we spend on
education be used to found fellowships of creative poetry? These would
not be given at first to those who wish to learn to write poetry; for
the first thousands would be far too precious for use in any such
wild-cat speculations. They would be devoted, rather, to poets of
proved quality, who have already, somehow, learned their art, and who
ask no more wondrous boon from life than fresh air and time to regain
and keep that necessary margin of vitality which must go to the making
of genuine poetry.
I would not have the incumbent of such a fellowship, however, deprived
suddenly of all outer incentives for effort. The abrupt transition
from constant worry and war among his members to an absolutely
unclouded life of pure vocation-following might be almost too violent
a shock, and unsettle him and injure his productivity for a time.
Public-domain text, read in full here on John Shaqi.
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