The Joyful Wisdom ("La Gaya Scienza")Nietzsche, Friedrich Wilhelm
PhilosophyPhilosophy
The Joyful Wisdom ("La Gaya Scienza")
Nietzsche, Friedrich Wilhelm
Philosophy
_Translations._—One can estimate the amount of the historical sense
which an age possesses by the way in which it makes _translations_ and
seeks to embody in itself past periods and literatures. The French of
Corneille, and even the French of the Revolution, appropriated Roman
antiquity in a manner for which we would no longer have the
courage—owing to our superior historical sense. And Roman antiquity
itself: how violently, and at the same time how naïvely, did it lay its
hand on everything excellent and elevated belonging to the older Grecian
antiquity! How they translated these writings into the Roman present!
How they wiped away intentionally and unconcernedly the wing-dust of the
butterfly moment! It is thus that Horace now and then translated Alcæus
or Archilochus, it is thus that Propertius translated Callimachus and
Philetas (poets of equal rank with Theocritus, if we _be allowed_ to
judge): of what consequence was it to them that the actual creator
experienced this and that, and had inscribed the indication thereof in
his poem!—as poets they were averse to the antiquarian, inquisitive
spirit which precedes the historical sense; as poets they did not
respect those essentially personal traits and names, nor anything
peculiar to city, coast, or century, such as its costume and mask, but
at once put the present and the Roman in its place. They seem to us to
ask: "Should we not make the old new for ourselves, and adjust
_ourselves_ to it? Should we not be allowed to inspire this dead body
with our soul? for it is dead indeed: how loathsome is everything
dead!"—They did not know the pleasure of the historical sense; the past
and the alien was painful to them, and as Romans it was an incitement to
a Roman conquest. In fact, they conquered when they translated,—not only
in that they omitted the historical: no, they added also allusions to
the present; above all, they struck out the name of the poet and put
their own in its place—not with the feeling of theft, but with the very
best conscience of the _imperium Romanum_.
84.
Public-domain text, read in full here on John Shaqi.
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