The Joyful Wisdom ("La Gaya Scienza"): Complete Works, Volume TenNietzsche, Friedrich Wilhelm
PhilosophyPhilosophy
The Joyful Wisdom ("La Gaya Scienza"): Complete Works, Volume Ten
Nietzsche, Friedrich Wilhelm
Philosophy
_Translations._--One can estimate the amount of the historical sense
which an age possesses by the way in which it makes _translations_ and
seeks to embody in itself past periods and literatures. The French
of Corneille, and even the French of the Revolution, appropriated
Roman antiquity in a manner for which we would no longer have the
courage--owing to our superior historical sense. And Roman antiquity
itself: how violently, and at the same time how naïvely, did it lay
its hand on everything excellent and elevated belonging to the older
Grecian antiquity! How they translated these writings into the Roman
present! How they wiped away intentionally and unconcernedly the
wing-dust of the butterfly moment! It is thus that Horace now and then
translated Alcæus or Archilochus, it is thus that Propertius translated
Callimachus and Philetas (poets of equal rank with Theocritus, if
we _be allowed_ to judge): of what consequence was it to them that
the actual creator experienced this and that, and had inscribed the
indication thereof in his poem!--as poets they were averse to the
antiquarian, inquisitive spirit which precedes the historical sense;
as poets they did not respect those essentially personal traits and
names, nor anything peculiar to city, coast, or century, such as its
costume and mask, but at once put the present and the Roman in its
place. They seem to us to ask: "Should we not make the old new for
ourselves, and adjust _ourselves_ to it? Should we not be allowed
to inspire this dead body with our soul? for it is dead indeed: how
loathsome is everything dead!"--They did not know the pleasure of the
historical sense; the past and the alien was painful to them, and
as Romans it was an incitement to a Roman conquest. In fact, they
conquered when they translated,--not only in that they omitted the
historical: they added also allusions to the present; above all, they
struck out the name of the poet and put their own in its place--not
with the feeling of theft, but with the very best conscience of the
_Imperium Romanum_.
84.
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