The children were delighted, and stood still as mice while she explained
the order of affairs. In the big city public schools, she had been told,
they practiced going out in line at a mock alarm of fire, and the boy or
girl who broke out of line or dashed for the door before the drum-tap
was disgraced for days in the eyes of the school. Everything must be
quiet and in order; every child must have his place and take it; no one
must cry out, or run ahead, or push, or try to hurry matters; and what
was most important, all must keep step—which was why the drum came to be
there.
She arranged them carefully: little one first, then girls, last of all
the boys, with big Hans at the rear, and Olga managing a crowd of the
little ones.
“Now,” she said, “we won’t leave the room this first time; we’ll just
march round and round till we can all keep step, and later we’ll
practice going through the halls and downstairs. I’ll drum the first
time, and then the best boy shall be drummer.”
The friend who had suggested the fire-drill when Miss Eleanor had begged
her for some new game to play, had never seen one, and did not know the
exact details, but she knew the general idea of it, and she knew, too,
that it was not at all easy for people to keep in step, even to a drum.
This had surprised Miss Eleanor greatly. She supposed that anybody could
keep step, and she was much inclined to doubt her friend’s statement that
a large number of grown people, even, found it difficult.
But there was a still greater surprise in store for her. When she slung
the strap over her pretty red waist and hit the drum a resounding blow, a
very different sound from what she had expected was the result—a muffled,
flat noise, with nothing inspiring about it whatever. She bit her lip and
tried again, the children watching her attentively from the sides of the
big room.
Bang!
Bang!
Bang, bang, bang!
A few feet began to keep time, but the sound was not very different from
that produced by a stick hit against the wall, and big Hans, whose father
played in a band, and who had attended many rehearsals—it was from him
the drum had been procured—shook his head solemnly.
“Not so! Not so!” he said in his thick, gruff voice. “You no hit good!
You no hit hard!”
“Oh, Hans, can _you_ play it?” cried Miss Eleanor eagerly. “Here, take
it!” And she flung the strap over his shoulder.
Hans shambled out to the center of the room, and struck a mighty blow.
The familiar deep sound of a drum filled the place, and Miss Eleanor
sighed with relief, but alas! her joy was short-lived, for poor Hans had
no idea of time, and could only pound away like a hammer. In vain she
held his hand and tried to guide his strokes. The noise was deafening,
but no more to be marched to than thunder.
Little Pierre tried next, but though he kept perfect time, and looked
very cunning in his little blue blouse, his taps were too light to cover
the sound of the tramping feet.
Public-domain text, read in full here on John Shaqi.
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