The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful artsBrewster, David
Science
The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful arts
Brewster, David
Kaleidoscopes
As the power of the Kaleidoscope, therefore, in its simple form, is
limited to transparent objects, or to the outline of opaque objects
held close to the aperture of the reflectors, it becomes a matter of
consequence to extend its power by enabling it to produce perfectly
symmetrical patterns from opaque objects, from movable or immovable
objects at a distance, or from objects of such a magnitude that they
cannot be introduced before the opening of the reflectors. Without such
an extension of its power, the Kaleidoscope might only be regarded as
an instrument of amusement; but when it is made to embrace objects of
all magnitudes, and at all distances, it takes its place as a general
philosophical instrument, and becomes of the greatest use in the fine,
as well as the useful arts.
[Illustration: FIG. 27.]
In considering how this change might be effected, it occurred to
me, that if =M N=, Fig. 27, were a distant object, either opaque or
transparent, it might be introduced into the picture by placing a lens
=L L=, single or achromatic, at such a distance before the aperture =A
O B=, that the image of the object may be distinctly formed in the air,
or upon a plate of glass, the inner side of which was finely ground,
and in contact with the ends =A O=, =B O= of the reflectors, the plane
passing through =A O B=. By submitting this idea to experiment, I found
it to answer my most sanguine expectations. The image formed by the
lens at =A O B= became a new object, as it were, and was multiplied
and arranged by successive reflexions in the very same manner as if
the object =M N= had been reduced in the ratio of =M L= to =L A=, and
placed close to the aperture.
[Illustration: FIG. 28.]
The Compound or Telescopic Kaleidoscope is therefore fitted up as
shown in Fig. 28, with two tubes, =A B=, =C D=. The inner tube, =A B=,
contains the reflectors as in Fig. 27, and at the extremity =C=, of the
outer tube =C D=, is placed a lens which, along with the tube, may be
taken off or put on at pleasure. The focal length of this lens should
always be much less than the length of the outer tube =C D=, and should
in general be such that it is capable of forming an image at the end
of the reflectors, when =A B= is pulled out as much as possible, and
when the object is within three or four inches of the lens. When it is
required to introduce into the picture very large objects placed near
the lens, another lens of a less focal length should be used; and when
the objects are distant, and not very large, a lens, whose principal
focal length is nearly equal to the greatest distance of the lens from
the reflectors, should be employed.
When this compound Kaleidoscope is used as a simple instrument for
viewing objects held close to the aperture, the tube =A B= is _pushed
in as far as it will go_, the cell with the object-plate is slipped
upon the end =C= of the outer tube, and the instrument is used in the
same way as the simple Kaleidoscope.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account