Suddenly, the inattention of the other had fallen away, and he had
wheeled, his jaw dropping. For an instant, he stood in an attitude of
bewildered shock, gripping the support of the rail like a
prize-fighter struggling against the groggy blackness of the knock-out
blow.
Saxon stood such a length of time as it might have required for the
referee to count nine over him, had the support he gripped been that
of the prize-ring instead of the steamer's rail. Then, he stepped
forward, and gripped Rodman's arm with fingers that bit into the
flesh.
"Rodman," he said in a low voice that was almost a whisper, between
his labored breathings, "I've got to talk to you--alone. There's not a
minute to lose. Come to my stateroom."
CHAPTER XII
Below, in the narrow confines of the cabin, Saxon paced back and forth
excitedly as he talked. For five minutes, he did not pause, and the
other man, sitting on the camp-stool in a corner of the place,
followed him with eyes much as a lion-tamer, shut in a cage with his
uncertain charge, keeps his gaze bent on the animal. As he listened,
Rodman's expression ran a gamut from astonishment, through sympathy,
and into final distrust. At last, Saxon ended with:
"And, so, I've got to get them away from there. I've got to get back
to that town, and you must manage it. For God's sake, don't delay!"
The painter had not touched on the irrelevant point of his own
mystery, or why the girl had followed him. That would have been a
story the other would not have believed, and there was no time for
argument and futile personalities. The slow northward fifteen knots
had all at once become a fevered racing in the wrong direction, and
each throb of the shafts in the engine-room seemed to hurl him madly
through space away from his goal.
When he halted in his narrative, the other man looked sternly up, and
his sharp features were decisively set.
"Suppose I should get you there," he began swiftly. "Suppose it were
possible to get back in time, what reason have I to trust you? Suppose
I were willing to trust you absolutely, what right have I--a mere
agent of a cause that's bigger than single lives--to send you back
there, where a word from you would spoil everything? My God, man,
there are thousands of people there who are risking their lives to
change this government. Hundreds of them must die to do it. For
months, we have worked and planned, covering and secreting every
detail of our plotting. We have all taken our lives in our hands. Now,
a word of warning, an indiscreet act, the changing of the garrison on
San Francisco, and where would we be? Every platoon that follows Vegas
and Miraflores marches straight into a death-trap! The signal is
given, and every man goes to destruction as swift as a bat out of
hell. That's what you are asking me to do--to play traitor to my
cause. And you calmly tell me I must do it simply because you've got
friends in town."
The man came to his feet with an excited gesture of anger.
Public-domain text, read in full here on John Shaqi.
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