The King Country; or, Explorations in New Zealand: A Narrative of 600 Miles of Travel Through Maoriland.Kerry-Nicholls, J. H. (James Henry)
History
The King Country; or, Explorations in New Zealand: A Narrative of 600 Miles of Travel Through Maoriland.
Kerry-Nicholls, J. H. (James Henry)
New Zealand -- Description and travel
The lower walls of the temple were entirely surrounded by grotesque
figures, representing renowned ancestors of the Arawa tribe, and whose
genealogy dated back both before and after the landing of the first
immigrants. All these singular effigies appeared at the first glance to
have been carved after the same model, but, upon closer examination,
it could be seen that each one had some peculiarity of feature, some
distinctive turn or twist in the singular design of its elaborate
carving, while each had some facial expression or bodily characteristic
for which the particular hero represented was supposed to have been
remarkable when in the flesh. One and all were depicted with distorted
features, protruding tongues, and defiant mien, while their big staring
eyes were formed of the pearly shell of the fresh-water mussel.
As already stated, the _runanga_ house is dedicated to the memory of
Tama te Kapua, the captain of the _Arawa_ canoe. Before the canoe
landed, he acted the part of a primitive Lothario, and won the favours
of the wife of Ngatoroirangi, the _ariki_,[27] or chief priest of the
war craft. Indeed, he would appear to have been both a "gallant captain
and a bold." The effigy of this warrior occupies a central position
on the left on entering, and, curious to relate, he is represented as
standing on _poutoto_, or stilts. Now one of the legends connected with
the eventful life of this adventurous navigator is very remarkable.
Ages ago there lived on the island of Hawaiki a chief named Uenuku,
who had a garden filled with a fruit called _poporo_. Tama te Kapua
went for that fruit at night-time on stilts. The tribe could not find
out who it was that committed these midnight depredations. There were
no foot-prints around. Taipo[28] was the man. At last they found Tama
te Kapua up a tree _in flagrante delicto_, stilts and all. The natives
cried out in exultation, "Ah, we will fell the tree, and catch him."
Tama te Kapua replied with the greatest _sangfroid_, "If you fell the
tree, and it falls on land, I shall escape; if it falls in the water,
you will be able to capture me." He had, however, studied the question
from a strategic point of view, and knew that it was "heads," he won;
"tails," they lost. The tree fell into the water, but Tama te Kapua
dodged his pursuers, and, striking out with his stilts, got off with a
clean sheet.
It is not, however, for the above youthful escapade that the memory
of Tama te Kapua has been handed down to posterity in Maori song and
legend, but rather for what may be called the "stratagem of the whale,"
and which in its inception appears to have been quite equal to that of
the "wooden horse" of classic memory.
Public-domain text, read in full here on John Shaqi.
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