The King Country; or, Explorations in New Zealand: A Narrative of 600 Miles of Travel Through Maoriland.Kerry-Nicholls, J. H. (James Henry)
History
The King Country; or, Explorations in New Zealand: A Narrative of 600 Miles of Travel Through Maoriland.
Kerry-Nicholls, J. H. (James Henry)
New Zealand -- Description and travel
There were many grotesque warriors and noted braves, around and among
them was a curious carved figure of Tutanekai, the lover of Hinemoa,
with his _putorino_, or flute, in his mouth, and by the magic strains
of which he caused the dark syren to swim, nymph-like, to his island
in the lake. It was a singular instrument, about a foot long, pointed
at both ends, and flattened out in the centre like a fish. Near to him
was the effigy of Uenukukopako, father of Whakatira, who was in his
turn father of Tutanekai, and with his tongue hanging far out of his
mouth, his eyes glaring wide, and his enormous hands pressed across his
stomach, he looked as if he were still suffering from the effects of
his adventures in the _Arawa_ canoe. Opposite was Whakatira, brother to
Tama te Kapua. He is also represented on stilts, and is said to have
been in partnership with his brother in the orchard-robbing business.
Here also was Tiki, with a flute in his mouth. He was the friend and
companion of Tutanekai. Near to him was Hurutirangi, grandson of
Tutanekai. He is represented as grasping a curious weapon, the top of
which was shaped like a bird's head. With this instrument he is said to
have killed a chief called Wahiao, of another tribe. Near to the top of
the central ridge-pole of the building was a curiously carved figure of
the warrior Whakarra, with his feet resting on the head of a dog called
_potokatawhiti_, and whose memory is curiously blended with the history
of the tribe. At the bottom of the pole was a squat, dwarf-looking
effigy, with slanting eyes and elongated, tattooed visage, and whose
general appearance represented nothing so much as an ugly, ill-formed
baby. This was Kuruaro, a chief who is said to have walked the earth
six generations after Tutanekai. There were many other noted ancestors
of the tribe, all hideous in appearance, yet all elaborately and
marvellously carved, but it would require a volume to repeat their
histories.
It was on a bright morn, when in company with a native youth I stepped
into a canoe and headed across Rotorua to the island of Mokia, which
rose to a height of over five hundred feet from the centre of the lake.
As soon as we had landed, my guide took me to a tree, into the hollow
part of which the skeleton of a chief had been placed ages ago, but
the forest giant, continuing to grow, had clasped the grim remnant of
humanity in its firm embrace, and thus preserved the bones from decay
in a very remarkable manner.
We mounted through the thick fern to the summit of the island, where
formerly stood a _pa_, but nothing of this remained save the graves,
where some of the principal chiefs of the Ngatiwakaue await the coming
of the great day, and the subterranean caves wherein the stone idols,
said to have been brought from Hawaiki by the Arawas, dwell in a kind
of pagan solitude, as if anxious to hide their diminished heads from
the light of Christianity.
Public-domain text, read in full here on John Shaqi.
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