The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
But he was not sleeping when dawn came, gray in the sky. It stole
pink-fingered through the window and drew rosy lights on the blank wall
across which strange fancies of his had linked themselves in a weird
processional. It crept between the heavy curtains of the study below,
and gilded the fittings of the little battle-ship on the mantel--as
though to deck it in crimson bunting like its mammoth prototypes in the
lower bay.
For at that moment the Yokohama Bund was throbbing with the _salvos_ of
great guns pealing a salute. The water's edge was lined with a watching
crowd. Files of marines were drawn up beneath the green-trimmed arches
and cutters flying the sun-flag lay at the wharf, where groups of
officers stood in dress-uniform.
Over the ledge of the morning was spread a filmy curtain of damask rose,
and beneath it, into the harbor, like a broad dotted arrow-head, was
steaming a flock of black battle-ships, with inky smoke pouring from
their stacks.
CHAPTER XIV
WHEN BARBARA AWOKE
When Barbara awoke next morning she lay for a moment staring open-eyed
from her big pillow at the white wall above, where a hanging-shelf
projected to guard the sleeper from falling plaster in earthquake. The
room was filled with a soft light that filtered in through the
split-bamboo blinds. Then she remembered: it was her first whole day in
Japan.
She felt full of a gay _insouciance_, a glad lightness of joy that she
had never felt before. Slipping a thin rose-colored robe over her
nightgown, she threw open the window and leaned out. The air was as pure
and clean as if it had been sieved through silk, and she breathed it
with long inspirations. It made her think of the unredeemed dirt of
other countries, the sooty air of crowded factories, hardly growing
foliage and unlovely walls.
The Embassy was a pretentious frame structure in which frequent
alterations had masked an original plan. With its tall porte-cochère,
its long narrow L which served as Chancery, the smaller white cottage
across the lawn occupied by the Secretary of Embassy, the rambling
servants' quarters and stables, it suggested some fine old Virginia
homestead, transported by Aladdin's genii to the heart of an oriental
garden. For the tiny rock-knoll, with its single twisted pine-tree in
front of the main door, the wistaria arbor and red dwarf maples, the
great stone lanterns, the miniature lake and pebbled rivulet spanned by
its arching bridge--all these were Japanese. In the early morning the
eerie witchery of the night was gone, but the sky was as deep as space
and the air languid with the perfume and warmth of a St. Martin's
summer. A green-golden glow tinged the camelia hedges and above them the
long cool expanse of weather-boarding and olive blinds--like a carving
in jade and old ivory.
Public-domain text, read in full here on John Shaqi.
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