And o'er his face the grave's dark hue Was in fixed shadow cast; His spasm-drawn lips more fearful grew In the ghastly shade of their lurid blue; With a shudder that ran that cold form through, The murderer's spirit passed! SICILIAN SCENERY AND ANTIQUITIES. NUMBER TWO. We proceed, in another and concluding paper, as promised in the last number of the KNICKERBOCKER, to direct the reader's attention to the _Architectural Antiquities of Sicily_, especially those of Grecian structure, which will be described in the order in which they were visited. The first are those of Egesta, or Segeste, as it is sometimes called; a city said to have been built in the remote age of the Siculi, and which was destroyed by Agathocles, the potter's son, who reduced all Sicily two hundred and eighty years before the Christian era. It lies about forty or fifty miles from Palermo, among the mountains which cluster round the famed Mount Erix, on which once stood a temple dedicated to Venus. On leaving Alcamo, which may be called a city of convents, midway between Palermo and Segeste, the broad slopes of an ample valley lie before the traveller, which though almost treeless, are waving with beans, and grain and grass. In the depth, is a river meandering among fragrant oleanders; on the left, the valley is intersected by a range of distant mountains; on the right is a beautiful bay of the Mediterranean. Across the valley the mountains form a green amphitheatre, and high in its remotest part is seen the Temple of Segeste, but merely as a point of light and shade upon the bosom of the mountain. The next view, if he takes our route, is from the ancient Grecian city of Catafimi, itself perched on a mountain's top. He looks down a deep luxuriant vale, and on a grassy knoll about three miles distant, lifted from the depths of the valley by precipitous crags, stands the solitary temple; and if seen as we saw it, receiving the last golden rays of the setting sun while all below is wrapped in shade. The next day, would he visit the temple, his road lies through the valley of which I have last spoken. And surely he never passed through such an Arcadian scene as this. Almond and orange trees fill the air with fragrance; his path struggles through the tangled flowers, the cistus and the blue convolvulus, and he disturbs the nightingale in her pleasant haunt. At length, emerging from the valley, and climbing the steep side of a mountain, he stands before the temple. It is a majestic pile, about two hundred feet in length and eighty-eight in breadth, having fourteen columns on each side and six at each end, in all thirty-six columns, of about six feet in diameter; not fluted, as is usual in Grecian Doric temples, but having a very peculiar form. It stands on a platform raised on three gigantic steps. All the columns are standing; the entablatures and pediments are in pretty good preservation, but it is