Turning a little to the right, we come upon the Temple of Jupiter Olympius, commonly called of the Giants, the largest sacred edifice in Sicily, and one of the most stupendous works of the ancients. It was in length three hundred and sixty-eight feet, in breadth one hundred and eighty; the breadth or diameter of its columns at the base thirteen feet four inches; the height of the columns must have been seventy-five feet; above these rose a massive entablature, and the top of the pediments could not have been less than one hundred and twenty feet high! The grandeur of the door and vestibule corresponded to the simple majesty of the whole building, whose sculptured ornaments represented, with the finished elegance and laborious accuracy that distinguished each particular figure, the 'Defeat of the Giants and the Taking of Troy.' In the interior ranged twenty-four antae, or square pillars, of fifty feet in height; on the top of each was a sculptured giant twenty-seven feet in height, which with his hands clasped over his head supported the lofty roof. One can scarcely conceive any thing more noble and majestic than this wonderful edifice, in comparison with which, though covering much more ground, St. Peter's in Rome is a splendid gew-gaw. But what remains of this great temple? A wide heap of ruin; the interior of which, the columns and walls having fallen outward, is a flowery field, in which lie some fragments of those huge giants that once supported the roof. One of these is tolerably entire: the curls of his hair form a sort of garland: it lies with its face upward, and when I stood by it, my own head scarcely reached as high as the brow of the statue. It is composed of several pieces of stone, as are the columns of this temple, and most of the others of Agrigentum. On every side of this elevated field lie the walls, entablatures, and columns in enormous fragments: the capitals of the columns look like huge rocks that have been hurled there by some violent convulsion of nature.