The Ladies' Paradise: A Realistic NovelZola, Émile
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The Ladies' Paradise: A Realistic Novel
Zola, Émile
Department stores -- Fiction; Paris (France) -- Fiction; Seduction -- Fiction; Women sales personnel -- Fiction
At this moment she raised her eyes and perceived her terrified husband
in front of her. He had turned paler than usual, his whole person
expressed the patient, resigned anguish of a man assisting, powerless,
at the reckless expenditure of his salary, so dearly earned. Every fresh
bit of lace was for him a disaster; bitter days of teaching swallowed
up, long journeys to pupils through the mud devoured, the continued
effort of his life resulting in a secret misery, the hell of a
necessitous household. Before the increasing wildness of his look, she
wanted to catch up the veil, the cravat, and the handkerchief, moving
her feverish hands about, repeating with forced laughter: “You'll get
me a scolding from my husband. I assure you, my dear, I've been very
reasonable; for there was a fine piece of point at five hundred francs,
oh! a marvel!”
“Why didn't you buy it?” asked Madame Guibal, calmly. “Monsieur Marty is
the most gallant of men.”
The poor professor was obliged to bow and say his wife was perfectly
welcome. But the idea of this point at five hundred francs was like
a lump of ice dripping down his back; and as Mouret was just at that
moment affirming that the new shops increased the comfort of the
middle-class households, he glared at him with a terrible expression,
the flash of hatred of a timid man who would have throttled him had he
dared.
But the ladies had still kept hold of the bits of lace, fascinated,
intoxicated. The pieces were unrolled, passed from one to the other,
drawing the admirers closer still, holding them in the delicate
meshes. On their laps there was a continual caress of this tissue,
so miraculously fine, and amidst which their culpable fingers fondly
lingered. They still kept Mouret a close prisoner, overwhelming him with
fresh questions. As the day continued to decline, he was now and again
obliged to bend his head, grazing their hair with his beard, to examine
a stitch, or indicate a design. But in this soft voluptuousness of
twilight, in the midst of this warm feminine atmosphere, Mouret still
remained their master beneath the rapture he affected. He seemed, to be
a woman himself, they felt themselves penetrated and overcome by this
delicate sense of their secret that he possessed, and they abandoned
themselves, captivated; whilst he, certain from that moment to have
them at his mercy, appeared, brutally triumphing over them, the despotic
monarch of dress.
“Oh, Monsieur Mouret!” stammered they, in low, hysterical voices, in the
gloom of the drawing-room.
Public-domain text, read in full here on John Shaqi.
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