The Lady and Sada San: A Sequel to the Lady of the DecorationLittle, Frances
History
The Lady and Sada San: A Sequel to the Lady of the Decoration
Little, Frances
Japan -- History -- Meiji period, 1868-1912 -- Fiction
I know, too, that some Fountain Head of knowledge will rise from
the back seat and beg to state that the new civil code contains
many revisions and regulates divorce. The only trouble with the
new civil code is that it keeps on containing the revisions and
only in theory do they get beyond the books in which they are
written.
Next to my own, in my affections, stands this sunlit,
flower-covered land which has given the world men and women
unselfishly brave and noble. But there are a few deformities in
the country's law system that need the knife of a skilled surgeon,
amputating right up to the last joint; among these the divorce laws
made in ancient times by the gone-to-dust but still sacred and
revered ancestors. Who would give a hang for any old ancestor so
cut on the bias?
I cannot write any more. I am too agitated to be entertaining.
I wrote Sada a revised version of Blue Beard that would turn that
venerable gentleman gray, could he read it. Uncle will be sure to.
I dare him to solve the puzzle of my fancy writing. But I made
Sada San know the Prince Red Head was coming to her rescue, if the
engine did not break down.
Now there is nothing to do but wait and pray there are no weak
spots in Billy's backbone.
Cable just received. William is on the wing!
PEKING, CHINA, February, 1912.
Well, here we still are, my convalescent Jack and I, bottled up in
the middle of a revolution, and poor, helpless little Sada San
calling to me across the waters. Verily, these are strenuous days
for this perplexed woman.
It is a tremendous sight to look out upon the incomprehensible
saffron-hued masses that crowd the streets. I no longer wonder at
the color of the Yellow Sea.
But, Oh, Mate, if I could only make you see the gilded walled city,
in which history of the ages is being laid in dust and ashes, while
the power that made it is hastening down the back alley to a
mountain nunnery for safety! Peking is like a beautiful golden
witch clothed in priceless garments of dusty yellow, girded with
ropes of pearls. Her eyes are of jade, and so fine is the powdered
sand she sifts from her tapering fingers it turns the air to an
amber haze; so potent its magic spell, it fascinates and enthralls,
while it repels.
For all the centuries the witch has held the silken threads, which
bound her millions of subjects, she has been deaf--deaf to the
cries of starvation, injustice and cruelty; heedless to devastation
of life by her servants; smiling at piles of headless men; gloating
over torture when it filled her treasure-house.
Ever cruel and heartless, now she is all a-tremble and sick with
fear of the increasing power of the mighty young giant--Revolution.
She sees from afar her numbered days. She is crying for the mercy
she never showed, begging for time she never granted. She is a
tottering despot, a dying tyrant, but still a beautiful golden
witch.
Public-domain text, read in full here on John Shaqi.
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