The Laird of Norlaw; A Scottish StoryOliphant, Mrs. (Margaret)
General
The Laird of Norlaw; A Scottish Story
Oliphant, Mrs. (Margaret)
Scotland -- Fiction
cried, “Am I to bring up sons for _her_ service?” in the indignation of
her heart.
Yes, it was a very pretty story for romance. The young girl running
away, “all for love"--the faithful forsaken lover thinking of her in
secret--rising up to defend her rights after ten long years--eagerly
searching for her--and, with a jealous tenderness, refusing to do any
thing which might compromise her title, while he alone still fondly
believed in her return. A very pretty story, with love, and nothing
else, for its theme. Yet, unfortunately, these pretty stories have a
dark enough aspect often on the other side; and the Mistress, mortified,
silent, indignant, cheated in her own perfect confidence and honest
tenderness, when you saw her behind the scenes of the other pretty
picture, took a great deal of the beauty out of that first-love and
romantic constancy of Norlaw.
When Mrs. Livingstone went to her room, the sons, vexed and troubled,
were a long time silent. Cosmo withdrew into a corner, and leaned his
head on his mother’s little table. He, too, was deeply mortified, and
could not keep back the hot boyish tears from his eyes--he felt himself
set aside like a child--he felt the shame of a sensitive temperament at
perceiving how greatly his mother was disturbed. Somehow she seemed to
have betrayed herself, and Cosmo, jealous for her perfect honor, was
uneasy and abashed at this disturbance of it; while still his heart,
young, eager, inexperienced, loving romance, secretly longed to hear
more of this mystery, and secretly repeated his determination. Huntley,
who was pacing up and down the room, lifting and replacing every thing
in his way which could be lifted, was simply confounded and
thunderstruck, which emotions Patie shared with his elder brother.
Patie, however, was the most practical of the three, and it was he who
first broke the silence.
“Somehow or other this vexes my mother,” said Patie; “let us ask her no
more questions about it; but, Huntley, you ought to know all the
hiding-holes about the house. You should look up this will and put it in
safe hands.”
“In safe hands?--I’ll act upon it forthwith! Are we to keep terms with
Melmar after all that’s past, and with power to turn him out of his
seat?” cried Huntley; “no, surely; I’ll put it into hands that will
carry it into effect, and that without delay.”
“They would want either this Mary, or proof that she was dead, before
they would do any thing in it,” said Patie, doubtfully; “and yet it’s a
shame!”
“She is not dead!” interrupted Cosmo; “why my mother should be angry, I
can’t tell; but I’ll find out Mary of Melmar, I know I shall, though it
should be twenty years!”
Public-domain text, read in full here on John Shaqi.
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