If Cosmo was a poet he was not aware of it; yet his heart was easing itself after his fashion. He was too young to apprehend the position of his mother, and how it broke into the superficial romance of his father’s life. He thought only of Mary of Melmar, of the girl, beautiful, young, and unfortunate, who ran away “for love,” and had literally left all for her husband’s sake; he thought of displacing his father’s enemy and restoring his father’s first love to her rights. In imagination he pursued her through all the storied countries to which a young fancy naturally turns. He saw himself delivering her out of dangers, suddenly appearing when she was in peril or poverty, dispersing her enemies like a champion of chivalry, and bringing her home in triumph. This was how, while his brothers comforted themselves with an earnest discussion of possibilities, and while his mother, differing from them as age differs from youth--and as personal bereavement, which nothing can ever make up, and which changes the whole current of a life, differs from a natural removal and separation--returned into the depths of the past and lived them over again--this is how Cosmo made his first personal escape out of his first grief. CHAPTER XIII. “Oh! Patricia! Sinclair has been telling me such a story,” cried a young girl, suddenly rushing upon another, in a narrow winding road through the woods which clothed a steep bank of Tyne; at this spot, for one exclusive mile, the rapid little river was “private property,” the embellishment of a gentleman’s grounds--shut out from vulgar admiration. Tyne, indifferent alike to admiration and exclusivism, was not less happy on that account; but foamed over his stony channel as brisk, as brown, and as clear, as when he ran in unrestricted freedom by the old castle walls of Norlaw. The path was slippery and irregular with great roots of trees, and one or two brooks, unseen, trickled down the brae below the underwood, only detected by the slender, half visible rivulet on the path which you had to step across, or the homely plank half penetrated by water, which bridged over Tyne’s invisible tributary. They did not appear, these fairy springs, but they added each a tingle, like so many harp strings, to the many sounds of Nature. Through this winding road, or rather upon it, for she was not going anywhere, the elder of these two interlocutors had been for some time wandering. She was a delicate looking girl of seventeen, with blue eyes and pale golden hair, rather pretty, but very slight, and evidently not in strong health. The sudden plunge down upon her, which her younger sister made from the top of the brae, took away Patricia’s breath, and made her drop the book which she had been reading. This was no very great matter, for the book was rather an indifferent production, being one of those books of poetry which one reads at seventeen, and never after--but it was rather more