The Land of Desolation: Being a Personal Narrative of Observation and Adventure in GreenlandHayes, I. I. (Isaac Israel)
History
The Land of Desolation: Being a Personal Narrative of Observation and Adventure in Greenland
Hayes, I. I. (Isaac Israel)
Greenland -- Description and travel; Hayes, I. I. (Isaac Israel), 1832-1881
As for the people in general, they were delighted beyond expression.
Nothing but the presence of actual starvation could possibly have
induced any hunter to go out at such a time. Shouting and singing
were the order of the day. The harbor was alive with their cunning
little kayaks, shooting hither and thither, the boatmen indulging
themselves in the most ludicrous speech and gesture, by way of
exhibiting their satisfaction, not only at the arrival of the Danish
ship, but that two vessels were in the harbor at one time—a sight
which they had never seen before. Then, to cap the climax, when the
evening came they would have a dance. Every body was invited, and, of
course, none of the sailors of the two ships made any objection to a
frolic of that nature. They had not shared the people’s satisfaction
in the least; they would be glad enough, on the other hand, to be
anywhere else almost; but a dance! what sailor could resist that? And
as for our officers and passengers, all were alike ready for a little
fun, to break the monotony of life, either as actors or spectators,
and willing to take a hand in any thing that might be turning up.
I asked the governor if there was nothing to be feared from letting
two ships’ companies loose among the peaceful villagers, where
there were no police to take rude fellows into custody? “Oh no,” he
answered, “not in the least; let them come. If the men are rude, the
women will take care of themselves, I promise you; and if not, they
have big brothers plenty. Have no fear; there are no more modest
women in the world than these Greenland girls, and sailors are
notoriously quick to detect honesty, and, when found, to respect it.”
So a dance was arranged for, or a “ball,” as our people facetiously
called it. The carpenter-shop was secured for the occasion, and a
neighboring shed for a supper-room; and the preparations went on
all the afternoon. The orchestra of Julianashaab (consisting of a
dilapidated keg with heads of tanned seal-hide, and the cracked
fiddle already mentioned) was secured, and all was ready by eight
o’clock, when I went ashore to see the opening.
Public-domain text, read in full here on John Shaqi.
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