But let us return to Russian reality. A thin, black-bearded young man
paces busily through the rows during one of the entr'actes. He exchanges
remarks here and there with the officers and officials, whom he leaves
with a smile. And in the second entr'acte it becomes evident what
preparations had been made here. War had just been declared; the
password had just been given out to arouse patriotic enthusiasm, or, at
least, to make the attempt. Already in one or another of the theatres
the public had thunderingly called for the national hymn. What is proper
in the Imperial Theatre must be acceptable in the popular theatre. The
curtain had fallen after the second act, when suddenly, from one of the
boxlike recesses on the left gallery was heard the call "Hymn! Hymn!"
Everybody looked curiously up. There were there a few uniformed young
men, as we found later, student-members of that patriotic secret
association organized under the patronage of the reactionaries--a stroke
of Suvorin--to watch the progressive students. The orchestra replied to
the call with remarkable alacrity, and the public rose dutifully smiling
and stood to the beautiful hymn. But new shouts were heard. The choir
must join in. The curtain rose obediently, and the entire cast of "The
Maid of Orleans," Charles, Agnes, Jean d'Arc, and Lionel, Burgundy and
England; the people and knights were already properly grouped and joined
in the hymn with the orchestra accompaniment. The public again arose
politely and listened standing. The demonstration was not yet at an end.
It was reported that the hymn was sung three times in the other
theatres, hence that should occur also here. And the public patiently
rises for the third time, and lets the song float over it. The thin,
black-bearded young man, however, rubs his hands with which he joined in
the applause but shortly before, throws a significant glance to his
neighbors, and hastens out. I do not know to this day whether he was an
entrepreneur of the public resort, or a penny-a-liner who had arranged
an interesting piece of local news.
Thus I came to see the birth of one of those patriotic demonstrations of
which the papers were full in the following days. The impression was
anything but striking. The fine hand of the police could be detected in
the arrangement as well as in the audience. It was a forced
demonstration that no one could avoid. I remember from my boyhood the
explosive enthusiasm after the outbreak of the Franco-Prussian war, and
the evening after the battle of Sedan. In man's estate I was a
non-participating observer of patriotic demonstrations in Hungary; my
heart beat fast at home as well as in Hungary under the stress of
sympathy. That was a real storm of feeling. Here--wet straw that would
not burn. Worse. An obedient participation--woe to him who did not
participate! and then a sarcastic wink felt as a compensation for the
coercion just experienced.
Public-domain text, read in full here on John Shaqi.
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