The "Land & Water" edition of Raemaekers' cartoons, volume 1Raemaekers, Louis
History
The "Land & Water" edition of Raemaekers' cartoons, volume 1
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
The belligerent nations have made their choice. Germany’s partners
have chosen submission and are playing the dog’s part, as they have
discovered. The Allies on the other side are paying the price of
resistance in the sacrifice of life for Freedom. And what of the
neutrals? They are evading the choice under cover of the Allies and
waxing fat meanwhile. It is not a very heroic attitude and will
exclude them from any voice in the settlement. But we understand their
position, and at least they are ready to fight for their own freedom.
There are, however, individuals who are not ready to fight at all. They
call themselves conscientious objectors, prate of the law of Christ and
pose as idealists. If they followed Christ they would sacrifice their
lives for others, but they are only concerned for their own skins.
Their place is in the shafts. The true idealist lies beneath the Cross.
ARTHUR SHADWELL
[Illustration: BETTER A LIVING DOG THAN A DEAD LION
THE DRIVER: “You are a worthy Dutchman. He who lies there was a foolish
idealist.”]
“The Burden of the Intolerable Day”
Most people have wondered from time to time what the Kaiser thinks
in his inmost heart and in the solitude of his own chamber about the
condition of Germany and about the War. What impression has been made
on him by the alternation of victories and failures during the last
twenty months? After all he has staked everything--he has everything to
lose. What does he feel? What impression do the frightful losses of his
own people make on him?
Raemaekers tells in this cartoon. The Kaiser has this moment been
wakened from sleep by the entrance of a big gorgeously dressed footman,
carrying his morning tea. The panelling of the royal chamber in the
palace at Potsdam is faintly indicated. The Kaiser sits up in bed, and
a look of agony gathers on his face as he realises that he has wakened
up to the grim horror of a new day, and that the delightful time which
he has just been living through was only a dream. He had dreamed that
the whole thing was not true--that the War had never really occurred,
and that he could face the world with a conscience clear from guilt;
and now he has wakened up to bear the burden for another day. It is
written in his face what he thinks. You see the deep down-drawn lines
in the lower part of the face, the furrows upon the forehead, and the
look almost of terror in the eyes. But a smug-faced flunkey offers him
a cup of tea with buttered toast, and he must come back to the pretence
of that tragi-comedy, the life of the King-Emperor.
Public-domain text, read in full here on John Shaqi.
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