At length the weary voyagers reached Kola in Lapland, where they found a Dutch ship commanded by the very same Jan Cornelis Rijp who had parted company with them in the previous year. On the 30th of August he came and welcomed them with great joy as if they had risen from death to life again. He brought a barrel of beer, wine, spirits, bread, meat, salmon, and sugar to comfort and relieve them. At Kola they left the two boats in which they had sailed over 600 miles “whereat the inhabitants could not sufficiently wonder.” On the 17th September the homeward voyage was commenced in the ship of Jan Cornelis Rijp. Still very weak, but rapidly recovering, they reached Amsterdam on the 1st of November, 1597, in the same clothes they wore in Novaya Zemlya, and were received by Prince Maurice. The narrative of this remarkable voyage was simply but well written by Gerrit de Veer, the mate, and faithful companion of Barentsz in his last two voyages[40]. Willem Barentsz deservedly holds a high place in the roll of Arctic worthies. He was a good sailor, and an accomplished pilot and navigator. As an observer he was careful and remarkably accurate. But he possessed still higher qualities. He was resolute and persevering, and, while taking all possible precautions, he was ready to run some risk in order to secure success. He knew well that to be over cautious was to secure nothing, and that some slight dash of recklessness was the very essence of achievement. Hence his deeds exceeded those of all others in that 16th century. He was trusted by his men, and anxiety was mingled with their sorrow at the loss of their “chief guide and only pilot.” For 278 years the winter quarters of Barentsz remained unvisited. The north-east point of Novaya Zemlya was never again rounded until the spell was broken by the Norwegian, Captain Elling Carlsen, who reached the Ice Haven of Barentsz on September 7th, 1871[41]. He saw the house standing at the head of the bay, with large puncheons standing round it, and found the interior exactly as represented in the old drawing which illustrates the narrative of Gerrit de Veer. There was the row of standing bed-places, the Dutch clock, the halberd and muskets, the great kettles and cooking-pans over the fireplace, the instruments, and the books that had beguiled the weary hours of that long night. One book was a translation of the Spanish work of Medina on navigation, another a chronicle of Holland, another a Dutch translation of Mendoza’s History of China. There was also a Dutch version of Arthur Pet’s journal. Implements and utensils of all kinds too there were, down to the flute and the small shoes of the poor little ship’s boy who died during the winter[42]. [Illustration: Relics from Barentsz’s hut. (_National Museum, Amsterdam_)] [Illustration: The exact manner of the house wherein we wintered.]