The Lands of the Saracen: Pictures of Palestine, Asia Minor, Sicily, and SpainTaylor, Bayard
History
The Lands of the Saracen: Pictures of Palestine, Asia Minor, Sicily, and Spain
Taylor, Bayard
Middle East -- Description and travel; Spain -- Description and travel
We rode for an hour through the gardens before entering the gate. The
fruit-trees, of whatever variety---walnut, olive, apricot, or fig--were
the noblest of their kind. Roses and pomegranates in bloom starred the
dark foliage, and the scented jasmine overhung the walls. But as we
approached the city, the view was obscured by high mud walls on either
side of the road, and we only caught glimpses now and then of the fragrant
wilderness. The first street we entered was low and mean, the houses of
clay. Following this, we came to an uncovered bazaar, with rude shops on
either side, protected by mats stretched in front and supported by poles.
Here all sorts of common stuns and utensils were sold, and the street was
filled with crowds of Fellahs and Desert Arabs. Two large sycamores shaded
it, and the Seraglio of the Pasha of Damascus, a plain two-story building,
faced the entrance of the main bazaar, which branched off into the city.
We turned into this, and after passing through several small bazaars
stocked with dried fruits, pipes and pipe-bowls, groceries, and all the
primitive wares of the East, reached a large passage, covered with a steep
wooden roof, and entirely occupied by venders of silk stuffs. Out of this
we passed through another, devoted to saddles and bridles; then another,
full of spices, and at last reached the grand bazaar, where all the
richest stuffs of Europe and the East were displayed in the shops. We rode
slowly along through the cool twilight, crossed here and there by long
pencils of white light, falling through apertures in the roof, and
illuminating the gay turbans and silk caftans of the lazy merchants. But
out of this bazaar, at intervals, opened the grand gate of a khan, giving
us a view of its marble court, its fountains, and the dark arches of its
storerooms; or the door of a mosque, with its mosaic floor and pillared
corridor. The interminable lines of bazaars, with their atmospheres of
spice and fruit and fragrant tobacco, the hushed tread of the slippered
crowds; the plash of falling fountains and the bubbling of innumerable
narghilehs; the picturesque merchants and their customers, no longer in
the big trowsers of Egypt, but the long caftans and abas of Syria; the
absence of Frank faces and dresses--in all these there was the true spirit
of the Orient, and so far, we were charmed with Damascus.
Public-domain text, read in full here on John Shaqi.
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