The language of flowers : $b The floral offering ; a token of affection and esteem ; comprising the language and poetry of flowersDumont, Henrietta
General
The language of flowers : $b The floral offering ; a token of affection and esteem ; comprising the language and poetry of flowers
Dumont, Henrietta
Flower language; Flowers in literature
The name of this flower expresses clearly enough the meaning which is
given to it. As a remembrancer it is universally received and eulogized.
The name is derived from a German tradition, full of melancholy romance.
It is related that a young couple, on the eve of being united, while
walking along the banks of the Danube, saw a cluster of these flowers,
floating on the stream, which was bearing it away. The affianced bride
admired the beauty of the flower, and lamented its fatal destiny. The
lover plunged into the water to secure it. No sooner had he caught it
than he found himself sinking; but, making a last effort, he threw it on
the bank at the feet of his betrothed, and, at the moment of
disappearing for ever, exclaimed, “_Vergiss mein nicht!_” Since that
event, this flower has been made emblematical of the sentiment,
Forget-me-not. Its corollas are of a soft cerulean-blue colour, and it
presents an interesting appearance as it grows along the banks of the
rivers. The Forget-me-not is found in great perfection on the banks of a
small stream near Luxembourg, in France. The stream is called the
Fairies’ Bath, and its banks are the favourite resort of festive
parties.
* * * * *
That blue and bright-eyed floweret of the brook,
Hope’s gentle gem--the fair Forget-me-not.
_Coleridge._
* * * * *
Not on the mountain’s shelving side,
Nor in the cultivated ground,
Nor in the garden’s painted pride,
The flower I seek is found.
Where Time on sorrow’s page of gloom
Has fixed its envious lot,
Or swept the record from the tomb,
It says Forget me not.
And this is still the loveliest flower,
The fairest of the fair,
Of all that deck my lady’s bower,
Or bind her floating hair.
_Göthe._
* * * * *
Public-domain text, read in full here on John Shaqi.
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