Beijing (China) -- Description and travel; Beijing (China) -- History -- Siege, 1900
The wells in the deserted gardens fill the air to-day with odors of
the dead. There were three large cisterns which furnished a water so
pure that they sent all the way from the legations to get it. The
Boxers filled these wells up to the brim with the mutilated bodies of
little boys from the Brothers' school and from Christian families in
the neighborhood. Dogs came to eat from the horrible pile which came up
to the level of the ground; but they had their fill, and so the bodies
were left, and have been so preserved by the cold and dryness that the
marks of torture upon them may still be seen. One poor thigh has been
slashed in stripes after the manner in which bakers sometimes mark
their loaves of bread, another poor hand is without nails. And here is
a woman from whom one of the private parts of her body has been cut and
placed in her mouth, where it was left by the dogs between her gaping
jaws. The bodies are covered with what looks like salt, but which
proves to be white frost, which in shady places never melts here. Yet
there is enough clear, implacable sunshine to bring out the emaciation
and to exaggerate the horrors of the open mouths, their agonized
expressions, and the rigidity of the anguished positions of the dead.
There is not a cloud to-day, but a pale sky which reflects a great
deal of light. All winter, it seems, it is much the same; even in the
coldest weather rains and snows are very exceptional in Pekin.
After our brief soldiers' breakfast, served on rare china in the long
gallery, I leave the Palace of the North to install myself in the kiosk
on the opposite shore, which I selected yesterday, and to begin my
work. It is about two o'clock; a summer's sun shines on my solitary
path, on the whiteness of the Marble Bridge, on the mud of the Lake,
and on the bodies that sleep amongst the frosted lotus leaves.
The guards at the entrance to the Rotunda Palace open and close behind
me the red lacquered doors. I mount the inclined plane leading to the
esplanade, and here I am alone, much alone, in the silence of my lofty
garden and my strange palace.
In order to reach my work-room, I have to go along narrow passageways
between old trees and the most unnatural rockwork. The kiosk is flooded
with light, the beautiful sunshine falls on my table and on my black
seats with their cushions of golden yellow; the beautiful melancholy
October sunshine illumines and warms my chosen retreat, where the
Empress, it seems, loved to come and sit and watch from this high point
her lake all pink with flowers.
Public-domain text, read in full here on John Shaqi.
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