In France, ever since the great Revolution, men have leapt up from the
gutter to grasp the reins of power. Some, indeed, have sprung from the
gutter of a palace, which is no more wholesome, it would appear, than the
drain of any street, or a ditch that carries off the refuse of a cheap
Press.
There are certain rooms in the north wing of the Louvre, in Paris, rooms
having windows facing across the Rue de Rivoli toward the Palais Royal,
where men must have sat in the comfortable leather-covered chair of the
High Official and laughed at the astounding simplicity of the French
people. But he laughs best who laughs last, and the People will
assuredly be amused in a few months, or a few years, at the very sudden
and very humiliating discomfiture of a gentleman falling face-foremost
into the street or hanging forlornly from a lamp-post at the corner of
it. For some have quitted these comfortable chairs, in these quiet
double-windowed rooms overlooking the Rue de Rivoli, for no better fate.
It was in the August of 1850 that a stout gentleman, seated in one of
these comfortable chairs, succumbed so far to the warmth of the palace
corridors as to fall asleep. He was not in the room of a high official,
but in the waiting-room attached to it.
He knew, moreover, that the High Official himself was scarcely likely to
dismiss a previous visitor or a present occupation any the earlier for
being importuned; for he was aware of the official's antecedents, and
knew that a Jack-in-office, who has shouted himself into office, is
nearly always careful to be deaf to other voices than his own.
Moreover, Mr. John Turner was never pressed for time.
"Yes," he had been known to say, "I was in Paris in '48. Never missed a
meal."
Whereas others, with much less at stake than this great banker, had
omitted not only meals, but their night's rest--night after night--in
those stirring times.
John Turner was still asleep when the door leading to the Minister's room
was cautiously opened, showing an inner darkness such as prevails in an
alcove between double doors. The door opened a little wider. No doubt the
peeping eye had made sure that the occupant of the waiting-room was
asleep. On the threshold stood a man of middle height, who carried
himself with a certain grace and quiet dignity. He was pale almost to
sallowness, a broad face with a kind mouth and melancholy eyes, without
any light in them. The melancholy must have been expressed rather by the
lines of the brows than by the eye itself, for this was without life or
expression--the eye of a man who is either very short-sighted or is
engaged in looking through that which he actually sees, to something he
fancies he perceives beyond it.
His lips smiled, but the smile died beneath a neatly waxed moustache and
reached no higher on the mask-like face. Then he disappeared in the outer
darkness between the two doors, and the handle made no noise in turning.
Public-domain text, read in full here on John Shaqi.
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