England -- Social life and customs -- 19th century -- Fiction; Married people -- Fiction; Mystery fiction
“That is what the Scotch Verdict means. For three years that doubt about
him in the minds of the jury who tried him has stood on public record.”
Oh, my poor darling! my innocent martyr! I understood it at last. The
false name in which he had married me; the terrible words he had spoken
when he had warned me to respect his secret; the still more terrible
doubt that he felt of me at that moment--it was all intelligible to my
sympathies, it was all clear to my understanding, now. I got up again
from the sofa, strong in a daring resolution which the Scotch Verdict
had suddenly kindled in me--a resolution at once too sacred and too
desperate to be confided, in the first instance, to any other than my
husband’s ear.
“Take me to Eustace!” I cried. “I am strong enough to bear anything
now.”
After one searching look at me, the Major silently offered me his arm,
and led me out of the room.
CHAPTER XII. THE SCOTCH VERDICT.
We walked to the far end of the hall. Major Fitz-David opened the
door of a long, narrow room built out at the back of the house as a
smoking-room, and extending along one side of the courtyard as far as
the stable wall.
My husband was alone in the room, seated at the further end of it, near
the fire-place. He started to his feet and faced me in silence as I
entered. The Major softly closed the door on us and retired. Eustace
never stirred a step to meet me. I ran to him, and threw my arms round
his neck and kissed him. The embrace was not returned; the kiss was not
returned. He passively submitted--nothing more.
“Eustace!” I said, “I never loved you more dearly than I love you at
this moment! I never felt for you as I feel for you now!”
He released himself deliberately from my arms. He signed to me with the
mechanical courtesy of a stranger to take a chair.
“Thank you, Valeria,” he answered, in cold, measured tones. “You could
say no less to me, after what has happened; and you could say no more.
Thank you.”
We were standing before the fire-place. He left me, and walked away
slowly with his head down, apparently intending to leave the room.
I followed him--I got before him--I placed myself between him and the
door.
“Why do you leave me?” I said. “Why do you speak to me in this cruel
way? Are you angry, Eustace? My darling, if you _are_ angry, I ask you
to forgive me.”
“It is I who ought to ask _your_ pardon,” he replied. “I beg you to
forgive me, Valeria, for having made you my wife.”
He pronounced those words with a hopeless, heart-broken humility
dreadful to see. I laid my hand on his bosom. I said, “Eustace, look at
me.”
He slowly lifted his eyes to my face--eyes cold and clear and
tearless--looking at me in steady resignation, in immovable despair. In
the utter wretchedness of that moment, I was like him; I was as quiet
and as cold as my husband. He chilled, he froze me.
“Is it possible,” I said, “that you doubt my belief in your innocence?”
Public-domain text, read in full here on John Shaqi.
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