The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
256. There are two systems of Painting—the one consists in representing
as accurately as possible upon a flat surface an object in relief in
such a way that the image makes an impression upon the eye of the
spectator similar to that which the object itself would produce. This
is termed the _Art of Chiaro-’scuro_.
257. There is a means of imitating coloured objects much simpler in
its facility of execution than the preceding. It consists in tracing
the outline of the different parts of the model, and in colouring
them uniformly with their peculiar colours. There is no relief, no
projection; it is the plane image of the object, since all the parts
receive a uniform tint: this system of imitating is _Painting in Flat
Tints_.
PAINTING ON THE SYSTEM OF CHIARO-’SCURO.
258. Are the modifications perceived in a single coloured object,
for example, in a blue or red stuff, &c., indeterminable, when these
draperies are seen as draperies of a vestment or furniture, with
more or less distinct folds, or are they determinable, in given
circumstances? This is a question of which I am about to attempt a
solution.
259. Firstly, let us distinguish three circumstances in which
modifications of colours may be observed:—
1. Modifications produced by coloured lights falling upon the model.
2. Modifications produced by two different lights—as, for example, the
light of the sun and diffused daylight—each illuminating different
parts of the same object.
3. Modifications produced by diffused daylight.
260. We will suppose that in the two first cases the lighted surfaces
are plane, and that all their superficial parts are homogeneous, and in
the same conditions, except that of light. In the third case, we shall
consider the position of the spectator viewing an object lighted by
diffused daylight, the surface of which is not so disposed as to act
equally in all its parts upon the light which it reflects to the eye of
the spectator.
261. Modifications produced by coloured lights.
Red rays falling on Black make it appear Purple-black.
” White ” Red.
” Red ” Redder.
” Orange ” Redder.
” Yellow ” Orange.
” Deep Green ” Red-black.
” Light Green ” Reddish-grey.
” Light Blue ” Violet.
” Violet ” Purple.
262. Modifications produced by Orange light.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account