The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
_Example 3._—The spiral thread of a piece of twisted silk or wool held
perpendicularly before the eye, appears in the part opposite to the
light, of a much more decided colour than on the rest of the surface.
_Example 4._—The folds of bright draperies present the same
modification to an eye properly placed; the effect is particularly
remarkable in yellow silk stuffs, and in sky-blue; for we can easily
understand that it is less marked when the stuffs are less bright and
of dark colours.
_Example 5._—There are some stuffs which appear to be of two tones
of the same scale of colour, and sometimes also of two tones of two
contiguous scales, although the weft and the warp of these stuffs are
of the same tone and the same colour. The cause of this appearance
is very simple; the threads which, parallel to each other, form the
designs, are in a different direction to the threads which constitute
the ground of the stuff. Hence, whatever may be the position of the
spectator with regard to the stuff, the threads of the design will
always reflect coloured and white light in a different proportion to
that reflected by the threads of the ground, and, according to the
position of a spectator, the design will appear to be lighter or darker
than the ground.
_Third modification._—The colour complementary to that of a coloured
object developed in one of its parts, in consequence of simultaneous
contrast.
285. A natural consequence of the law of simultaneous contrast
in general, and of the effect of a colour upon grey and black in
particular, is, that since the same object presents some parts more or
less dark, contiguous to some parts where we see the colour peculiar to
the object, the first parts will appear tinted with the complementary
to this colour. But to observe this effect, it is necessary that the
grey part should reflect to the eye white light, and little or none of
the coloured light which the object naturally reflects.
_Fourth modification_, in a single coloured stuff.
286. For example, if the eye is directed towards a window which admits
daylight, and a person clothed in a new blue coat, dyed with indigo
or Prussian blue, be at the window, the eye will see one part of the
coat will appear different from the other part, because the nap of the
cloth is disposed in a contrary direction; one being of a fine blue,
while the other is of an orange-grey, by the effect of contrast of the
blue part with a part that reflects very little white light to the eye,
without, or almost without, blue light.
287. But as the pile of the nap loses its regular position by wear,
the cloth becoming dull and soiled, the coloured light is reflected
irregularly from all points; and the effect is either absolutely
destroyed or much weakened.
If the garment be of a deep green, the grey part will appear reddish;
if it be of a violet, maroon, or claret, the grey part will appear
yellow.
Public-domain text, read in full here on John Shaqi.
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