I remember a June when I tried to get life out of a grocery store, and
the sickness of it comes over me even yet at times. I sold kerosene
oil, brown sugar, coffee, salt mackerel, and plug tobacco. I breathed
the mingled breath of kerosene oil, brown sugar, coffee, salt mackerel,
and plug tobacco,—the odor of mere money,—when I knew the fox grapes
were in blossom, the magnolias and the azaleas; when I knew the
fields were green and the birds were in song! I have longed for many
things, but never as I longed that June for the farm, for the long,
long day, yes, and for the long, long row. It was that kerosened,
salt-mackereled, plug-tobaccoed—moneyed—June that took me back to
sweet poverty and the farm.
I do not wish to think of living where the birds and wild flowers do
not live with me. A city flat is convenient, and city life is exciting;
but convenience and excitement plus meat and raiment are not the sum
of life; neither, on the other hand, are pure air, sunshine, birds,
flowers, a garden, quiet, and time to think, the whole of life. No;
but when you consider the matter, there appears very little still
needing to make life whole that you cannot have along with your birds,
thoughts, and garden.
Whether you love the country or not, whether you know the difference
between a kingbird and a kingcrab or not, you owe it to your body and
your soul to get out into the open fields in June,—not to collect bird
skins or birds’ eggs or to make a herbarium or a nature diary, but to
live a while where the birds and flowers live. The city may be heaven
enough for you all the rest of the year; but God didn’t make the city.
There are seasons—March and February, usually—when it seems as if
some one else has a hand in making the country. In June, however, the
country is all and more than the poets say,—if it is poetry that you
come out into the country for to feel.
Take my meadow, for instance, all aglow in June with buttercups, as if
spread with a sheet of beaten gold! But now, if it is only hay that
I am after (alas, too often it is), then my gold turns all to brass,
and worse than brass, for buttercups, as my dairyman neighbor tells
me, make the poorest kind of hay. I should keep no cow, perhaps. She
gives nice milk, to be sure, but she eats up my beaten gold, she kills
my buttercup poetry. Maybe I am too rich, I own too much: one cow, one
horse, two pigs, thirty hens, fourteen acres of hills and trees. For
it is the truth that I do not enjoy the foxes now as I did before I
kept hens, nor the buttercups as I did before I got the cow. Suppose,
now, besides all of this, I had money,—a lot of it!—several thousand
dollars! You never get money along with a farm, and that is one reason
why a farm is such a safe and sure investment for the soul. It is not
the cow nor the chores, but money in or out of the bank, that robs life
of its June.
Public-domain text, read in full here on John Shaqi.
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