World War, 1914-1918 -- United States -- Juvenile fiction; Young women -- Societies and clubs -- Juvenile fiction
“But I am wrong to complain in this way,” she hastened to add, a sudden
expression of contrition darkening the sweetness of her glance, “for
every one has to endure disappointment and sorrow, sooner or later, as
my mother used to tell me when I was a girl; and, after all, ours might
have been much worse. I try to comfort myself with the thought that all
these little jars of life are just ‘helps’ to fit one for the greater
life beyond. Indeed,” she added softly, “I grow ashamed of myself for
thinking I am even disappointed, when I think of the renunciation, the
sufferings, and the agony of the Man of Sorrows, that we might have
joy.”
Nathalie made no reply, not only because she was at a loss for words to
express her sympathy, but stilled, possibly, by the beautiful look of
calm peace that had crept into the sweet eyes.
“But I am wearying you,” smiled the invalid, her eyes lighting with a
warm glow, “making you think I am a great martyr because I am deprived
of a few things that I think needful to my happiness. Perhaps I am in a
particularly rebellious mood to-day, for I am so anxious to read a book
a friend sent me, but with my poor hands I cannot hold it, and it makes
my neck ache to read from the bookstand. But here comes Mona with your
dried clothing; yes, and to bring me off my cross of martyrdom by her
sweet patience, for she is always cheery and smiling under _her_ great
deprivations.”
“Oh, and she can’t even read to you!” lamented Nathalie impulsively,
suddenly reminded of what it must mean to live with a person who could
not talk to you.
“Yes, and that is one of the nails in the cross,” said the shut-in, with
whimsical sweetness, “for I not only want some one to talk, to read to
me, but sometimes I just yearn for the sound of a human voice. Oh, but I
am getting selfish again—for,—Yes, as soon as you get your gown on,
you must go with Mona to see her sweet peas; she would love to show them
to you.”
“And I would love to see them,” replied the girl as she dropped the
kimono and slipped into her skirt, “for I, too, adore flowers.” And
then, as Nathalie fastened up her blouse, and put on her belt, Miss
Whipple made her sister understand that their guest wanted to see her
bunches of sweet peas.
Mona’s face lighted happily as she comprehended, and in a few moments
she and Nathalie were standing in an outer shed, where masses of the
dainty flowers were piled in heaps, waiting to be tied into bunches,
their delicate odor filling the place with quite perceptible fragrance.
Nathalie watched the deaf-and-dumb woman tie a few bunches, dimpling in
gratified embarrassment as she softly touched the blossoms. She held a
beautifully pink-tinted one against the girl’s cheek, to indicate that
they were of the same hue, and then smilingly fastened a big bunch to
her waist.
Public-domain text, read in full here on John Shaqi.
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