The Life and Letters of Ogier Ghiselin de Busbecq, Vol. 1 (of 2)Busbecq, Ogier Ghislain de
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The Life and Letters of Ogier Ghiselin de Busbecq, Vol. 1 (of 2)
Busbecq, Ogier Ghislain de
Busbecq, Ogier Ghislain de, 1522-1592
On our way from Nissa to Sophia we had fair roads and good weather,
considering the season of the year. Sophia is a good-sized town, with
a considerable population both of residents and visitors. Formerly it
was the royal city of the Bulgarians; afterwards (unless I am mistaken)
it was the seat of the Despots of Servia, whilst the dynasty still
existed, and had not yet succumbed to the power of the Turk. After
quitting Sophia we travelled for several days through fruitful fields
and pleasant valleys, belonging to the Bulgarians.
The bread we used through this part of our expedition was, for the most
part, baked under ashes. The people call these loaves ‘fugacias:’ they
are sold by the girls and women, for there are no professional bakers
in that district. When the women hear of the arrival of strangers, from
whom they may expect to earn a trifle, they knead cakes of meal and
water without any leaven, and put them under the hot ashes. When baked
they carry them round for sale at a small price, still hot from the
hearth. Other eatables are also very cheap. A sheep costs thirty-five
aspres,[102] a fowl costs one; and fifty aspres make a crown. I must
not forget to tell you of the dress of the women. Usually, their sole
garment consists of a shirt or chemise of linen, quite as coarse as
the cloth sacks are made of in our country, covered with needlework
designs, of the most absurd and childish character, in different
colours. However, they think themselves excessively fine; and when
they saw our shirts—the texture of which was excellent—they expressed
their surprise that we should be contented with plain linen instead
of having worked and coloured shirts. But nothing struck us more than
their towering head-dresses and singular bonnets—if bonnets they can
be called. They are made of straw, woven with threads; the shape is
exactly the reverse of that which is usually worn by our women in
country districts; for their bonnets fall down on the shoulders, and
are broadest at the lowest part, from which they gradually slope up
into a peak. Whereas, in Bulgaria the bonnet is narrowest at the lowest
part; above the head it rises in a coil about three-quarters of a foot;
it is open at the top, and presents a large cavity towards the sky, so
that it seems expressly made for the purpose of catching the rain and
the sun, just as ours are made for the purpose of keeping them off.
The whole of the bonnet, from the upper to the lower rim, is ornamented
with coins and figures, bits of coloured glass, and anything else that
glitters, however rubbishy it may be.
This kind of bonnet makes the wearer look tall, and also obliges her
to carry herself with dignity, as it is ready to tumble off at the
slightest touch. When they enter a room you might imagine it was a
Clytemnestra,[103] or Hecuba such as she was in the palmy days of Troy,
that was marching on to the stage.
Public-domain text, read in full here on John Shaqi.
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