We must therefore believe that, if the possibilities of the future
should ever produce a Dung-beetle carrying a horn upon his corselet,
this upsetter of present customs will not be the Onthophagus succeeding
in maturing the thoracic appendage of the nymph, but rather an insect
resulting from a new model. The creative power throws aside the old
moulds and replaces them by others, fashioned with fresh care, after
plans of an inexhaustible variety. Its laboratory is not a peddling
rag-fair, where the living assume the cast clothes of the dead: it is a
medallist’s studio, where each effigy receives the stamp of a special
die. Its treasure-house of forms, of unbounded wealth, excludes any
niggardly patching of the old to make the new. It breaks up every mould
once used; it does away with it, without resorting to shabby
after-touches.
Then what is the meaning of those horny preparations, which are always
blighted before they come to aught? Without feeling greatly abashed by
my ignorance, I confess that I am absolutely unable to say. In the
absence of an appearance of learning, my answer has at least one merit,
that of perfect sincerity.
A DUNG-BEETLE OF THE PAMPAS
CHAPTER VIII
A DUNG-BEETLE OF THE PAMPAS
To travel over the world, by land and sea, from pole to pole; to
cross-question life, under every clime, in the infinite variety of its
manifestations: that surely would be glorious luck for him that has
eyes to see with; and it formed the radiant dream of my young years, at
the time when Robinson Crusoe was my delight. These rosy illusions,
rich in voyages, were soon succeeded by dull, stay-at-home reality. The
jungles of India, the virgin forests of Brazil, the towering crests of
the Andes, beloved by the condor, were reduced, as a field for
exploration, to a patch of pebble-stones enclosed within four walls.
Heaven forfend that I should complain! The gathering of ideas does not
necessarily imply distant expeditions. Jean-Jacques Rousseau herborized
with the bunch of chickweed whereon he fed his canary; Bernardin de
Saint-Pierre discovered a world on a strawberry-plant that grew by
accident in a corner of his window; Xavier de Maistre, using an
arm-chair by way of post-chaise, made one of the most famous of
journeys around his room. [19]
This manner of seeing country is within my means, always excepting the
post-chaise, which is too difficult to drive through the brambles. I go
the circuit of my enclosure over and over again, a hundred times, by
short stages; I stop here and I stop there; patiently, I put questions;
and, at long intervals, I receive some scrap of a reply.
The smallest insect village has become familiar to me: I know each
fruit-branch where the Praying Mantis perches; each bush where the pale
Italian Cricket strums amid the calmness of the summer nights; each
wad-clad blade of grass scraped by the Anthidium, that maker of cotton
bags; each cluster of lilac worked by the Megachile, the leaf-cutter.
Public-domain text, read in full here on John Shaqi.
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