The life and times of George Villiers, duke of Buckingham, Volume 3 (of 3): From original and authentic sourcesThomson, A. T., Mrs.
History
The life and times of George Villiers, duke of Buckingham, Volume 3 (of 3): From original and authentic sources
Thomson, A. T., Mrs.
Buckingham, George Villiers, Duke of, 1592-1628
One may readily conceive, therefore, the enchantment that was felt
in visiting the Escurial, the palace of Buen-retiro, and the noble
churches and famous convents of Madrid. Charles and Buckingham
beheld that capital in the height of its splendour, and witnessed
its most brilliant displays; they attended the grand, picturesque
services and processions; they became acquainted with the works of
Titian, of Velasquez, and Carducho. That Charles cherished the
remembrance of the scenes in which he had once played so romantic a
part, is evident from his employing a young painter, Miquel de la
Cruz, even when England was threatened with the great Rebellion, to
paint for him copies of a number of pictures from those in the
Alcazar of Madrid.[146] The painter was cut off by an early death,
and the project was never carried out.
Footnote 146:
Waagen; Life of Velasquez, p. 82.
After visiting the halls of the Escurial and of the Pardo, Charles
resolved to form a gallery of art at Whitehall; and Buckingham, at
the same time, determined to decorate York House with Spanish
paintings. The nucleus of the gallery of art at Whitehall was bought
from the collection of the Conde de Villame. Charles, also,
endeavoured to purchase a small picture, on copper, of Correggio’s,
from Don Andres Velasquez, for a thousand crowns, but was
unsuccessful; he failed, also, in obtaining the valuable volumes of
Da Vinci’s drawings, which Don Juan de Espina refused to sell,
saying that he intended to bequeath these treasures of art to his
master, the King. The nobles in the Spanish Court were in the habit
of gratifying their young sovereign with presents of pictures and
statues; and a similar attention was paid both to the Duke of
Buckingham and to Charles. Philip gave the Prince the famous
“Antiope,” by Titian; as well as “Diana Bathing,” "Europa," and
“Danaë,” by the same master. Buckingham had several presents of
value given him; but though they were packed up, these paintings
were left behind, in the hurry of departure, and were never
forwarded to England.
Public-domain text, read in full here on John Shaqi.
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