The life and times of George Villiers, duke of Buckingham, Volume 3 (of 3): From original and authentic sourcesThomson, A. T., Mrs.
History
The life and times of George Villiers, duke of Buckingham, Volume 3 (of 3): From original and authentic sources
Thomson, A. T., Mrs.
Buckingham, George Villiers, Duke of, 1592-1628
The party that condemned him felt neither gratitude nor pity; two
years before the King’s death, he was fined 500_l._ for malignancy.
Afraid of a sequestration of all his revenues, he is stated to have
buried his money, as did Stone, the painter, in Scotland Yard; and
to have removed it, when fearful of discovery, to Lambeth Marsh. He
lived to see Cromwell occupy Whitehall, which he had hoped to
renovate; and to hear that Charles had suffered beneath the very
windows of that fine and perfect fragment of a palace which was
still, in spite of all the terrors of that execution, called the
Banqueting-house; he lived to be called “Iniquity Jones,” by the
successor of that Earl of Pembroke who had once been his generous
patron; he lived to learn that the wit, the poetry, the scenery that
had combined to render the masques at Burleigh a feast not only for
the senses, but for the intellect, were construed into heathenism.
All gallantry and romance were gone--and gone for ever; wit, indeed,
flourished after the Restoration, but it was wit without decency or
feeling. The old man must have felt that he had lived too long.
Somerset House had been with great difficulty saved from the
destruction of the Parliamentary decree; it gave poor Inigo, who
still appears to have nominally held his former office, a refuge
wherein he could lay down his head and die. He was buried in the
church of St. Bennet, at Paul’s Wharf; a monument erected there to
his memory was destroyed in the Fire of London, and the great
architect of the Banqueting-house remains without any memorial, save
the works of his genius.
Vandyck was not settled in England, under the patronage of Charles
I., until after the death of Buckingham. Mytens, whose position as
the King’s principal painter was, as he believed, encroached on by
the celebrity of Vandyck, was patronized by Buckingham, for whom he
painted a portrait of Sir Jeffrey Hudson.
This little wonder of the seventeenth century was nine years old
only at the Duke’s death. He had been domesticated at Burleigh on
account of his diminutive stature, which did not, at that time,
exceed seven or eight inches. Jeffrey was the plaything of the
Court: at the marriage-feast of Charles I., the Duchess of
Buckingham had him inserted in a cold pie, and served up at table to
the Queen, by way of presenting him to the royal bride, who took him
in her lap, and kept him. Until the age of thirty, this little
personage never grew. He then suddenly shot up three feet nine
inches, which he carried off with infinite dignity, and remained at
that height. He was still the butt of all the idlers at Whitehall,
and the theme of a poem, by Davenant, called “Jeffresdos,” the
subject being a battle between the dwarf and a turkey-cock.
Public-domain text, read in full here on John Shaqi.
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