The Life and Work of James A. Garfield, Twentieth President of the United States: Embracing an Account of the Scenes and Incidents of His Boyhood; the Struggles of His Youth; the Might of His Early Manhood; His Valor As a Soldier; His Career As a Statesman; His Election to the Presidency; and the Tragic Story of His Death.Ridpath, John Clark
History
The Life and Work of James A. Garfield, Twentieth President of the United States: Embracing an Account of the Scenes and Incidents of His Boyhood; the Struggles of His Youth; the Might of His Early Manhood; His Valor As a Soldier; His Career As a Statesman; His Election to the Presidency; and the Tragic Story of His Death.
Ridpath, John Clark
Garfield, James A. (James Abram), 1831-1881
“To employ another figure—the world’s history is a divine poem, of
which the history of every nation is a canto, and of every man a
word. Its strains have been pealing along down the centuries, and,
though there have been mingled the discord of roaring cannon and
dying men, yet to the Christian philosopher and historian—the humble
listener—there has been a divine melody running through the song,
which speaks of hope and halcyon days to come. The record of every
orphan’s sigh, of every widow’s prayer, of every noble deed, of
every honest heart-throb for the right, is swelling that gentle
strain; and when, at last, the great end is attained—when the lost
image of God is restored to the human soul; when the church anthem
can be pealed forth without a discordant note, then will angels join
in the chorus, and all the sons of God again ‘shout for joy.’”
This is really an oration. It is not the style of the essayist. It is
the style of the orator before his audience. The boldness of the figure
which would captivate an audience, is a little palling to the quiet and
receptive state of the reader. The mental attitude of Garfield when he
wrote that passage was not that of the writer in his study, but of the
orator on the platform with a hushed assemblage before him. It will be
noticed that this characteristic of style only became more marked with
Garfield after he had left the mimic arena of the college.
But the idea embodied in this article is as significant and
characteristic as its expression. In some form or other most of the
world’s great leaders have believed in some outside and controlling
influence, which really shaped and directed events. To this they
attributed their own fortune. Napoleon called and believed himself to be
“The Child of Destiny.” Mohammed was a fatalist:
“On two days it stood not to run from thy fate—
The appointed and the unappointed day;
On the first, neither balm nor physician can save,
Nor thee, on the second, the universe slay.”
Buddha believed in fatalism. So did Calvin. Julius Cæsar ascribed his
own career to an overweening and superimposed destiny. William III. of
England, thought men were in the grasp of an iron fate.
The idea expressed in this article of a providential plan in human
things, according to which history unfolds itself, and events and men
are controlled, is not seen here for the last time. It will reappear at
intervals throughout the life of the man, always maintaining a large
ascendancy in his mind. It is not a belief in fate, destiny, or
predestination, but it is a kindred and corresponding one. Whether such
beliefs are false or true, whether superstitious or religious, does not
concern the biographer. It is sufficient that Garfield had such a
belief, and that it was a controlling influence in his life.
Public-domain text, read in full here on John Shaqi.
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