The life, letters and work of Frederic Leighton. Volume IIBarrington, Russell, Mrs.
General
The life, letters and work of Frederic Leighton. Volume II
Barrington, Russell, Mrs.
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
I have so far altered my plans that I stay on until Saturday
morning instead of going to-morrow with Mrs. Sartoris as I had
intended. I have still a call or two to make, and, besides, am
going to dine to-morrow with Mario and spend the evening of
Friday at Lord Lansdowne's, whose invitation I got though I had
not called on him. I suppose that a card was sent me because my
name was on the old list. I have since met him (at Henry's
party), and he made himself very amiable, renewing the
invitation by word of mouth. I have just been spending two or
three days at Old Windsor with Miss Thackeray, who has been
kindness itself as usual; the weather was divine, and we took
exquisite drives. Chorley[13] also has been a kind friend to me;
he took me twice to the Handel Festival, seating me, conveying
me, breakfasting me, and, but that I was engaged, would have
dined me. The Festival was, as you have no doubt read in the
papers, most successful, the choruses, considering the enormous
difficulty of training such masses of people (2000!) were
excellent; the quantity of sound produced was, of course,
enormous, still there was no _din_, nothing stunning, only an
exceedingly dense and close-textured quality of sound. The solo
singers varied in excellence. Clara Novello shone by the quality
of her voice, which carries any distance, and by the correctness
of her singing, but to me she is entirely without charm, and
left me as cold after the great song of the Nativity in the
"Messiah" as if she had not sung at all. Miss Dolby sang well
throughout; she was remarkable for the excessive decorum and
simplicity of her singing. She finishes a phrase with great
breadth; her voice, to some people disagreeable, is to me very
_simpatica_, and she gave me altogether the greatest pleasure.
Sims Reeves, whom but a few days back I heard sing so badly at
Liverpool, astounded me here by the remarkable care and study he
brought to bear on his solos. He sang in the "Messiah,"
beginning with "Behold and see if there be any sorrow," &c. He
sang exquisitely; and in the "Israel" he sang "The enemy said"
(a very ungrateful song) as well as possible. He was
vociferously encored, and well deserved it. ---- was simply
abominable, without a redeeming point. ----, though less
aggressively bad, was too insignificant to say much about at
all. Of course, altogether, the solos, especially the more
vigorous ones, were too weak for the choruses; that could not be
otherwise short of having four pair of Lablache lungs. Costa led
to perfection; it was a sight to see him.
_Friday_, PARIS.
Public-domain text, read in full here on John Shaqi.
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