The life, letters and work of Frederic Leighton. Volume IIBarrington, Russell, Mrs.
General
The life, letters and work of Frederic Leighton. Volume II
Barrington, Russell, Mrs.
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
He said, "_Comme aquarelle_ je
vous promets qu'il n'y en a pas beaucoup qui font comme
cela;"--about water colour being _infra. dig._, showing myself
competent in _two_ materials can only raise me. Poor Scheffer
was unwell and could not come. You see, dear Mammy, you need not
be so uneasy. I fully appreciate your and Papa's anxiety about
my pictures; but it has too great a hold on you when it makes
you think that I am entirely reckless and foolish, and that
rather than give in I should tell a lie and say it was too late
to withdraw a picture when it might still be done. Many thanks
for the extract about Sutherland which, however, I had already
seen, Henry Grev. having sent it me a week ago. My "Niggers"
arrived in time by great luck. Buckner godfathers them.
In haste with very best love, your affectionate boy,
FRED.
19 QUEEN STREET, 1859.
I have got, through the kindness of Elmore (R.A.), a sort of
studio at the other end of the world; I believe I told you this
in my last note; I suppose my things will come over in a week or
less. I am in great doubt about being able to paint in that
studio, and about its having been any use to come over to London
without the possibility of a really good _locale_: however, here
I am. I shall brush up my acquaintances and see a good deal of
my friends. Don't reckon on my _selling_ anything--_I_ don't at
all. My picture is hung so that it is virtually _impossible_ to
see it. I went to look at my "Niggers" in Suffolk Street, and am
confirmed in the idea (that also of my friends) that it is my
best work. I have as yet nothing worth writing about, so
good-bye, dearest Mamma, best love to all.
2 ORME SQUARE, _Sunday, 1859_.
Having got on Monday last into my studio and been very busy ever
since, this is absolutely the first moment I have found to sit
down and write to you.
Public-domain text, read in full here on John Shaqi.
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