The Life & Letters of Peter Ilich TchaikovskyChaikovskii, Modest
General
The Life & Letters of Peter Ilich Tchaikovsky
Chaikovskii, Modest
Composers -- Russia -- Biography; Tchaikovsky, Peter Ilich, 1840-1893
As with all his commissioned works, Tchaikovsky had completed this
overture before the appointed day, although he had to compose under the
most unfavourable conditions. Rubinstein’s house was beset all day long
by professors from the Conservatoire and other visitors, who did not
hesitate to intrude into Tchaikovsky’s room, so that he found no peace
at home, and had to take refuge in a neighbouring inn, “The Great
Britain,” which was very little frequented during the daytime. When
finished, he dedicated the overture to the Tsarevitch, and received in
return a pair of jewelled sleeve-links, which he immediately sold to
Dubuque. Tchaikovsky, who generally judged his early works very
severely, kept a favourable recollection of this overture, and wrote to
Jurgenson, in 1892:--
“My Danish Overture may become a popular concert work, for, as far
as I can remember, it is effective and, from a musical standpoint,
far superior to ‘1812.’”
After making some alterations in his symphony--undertaken at the desire
of Anton Rubinstein and Zaremba--Tchaikovsky, setting aside N.
Rubinstein, desired to hear the judgments of his old teachers, so
greatly was he still under the influence of Petersburg opinion. He only
permitted the least important movement to be heard at a Moscow Symphony
Concert in December--the scherzo, which had very little success. In
Petersburg the work was once more refused, but afterwards the two middle
movements (adagio and scherzo) were performed in February, 1867. The
reception was not encouraging, only one anonymous critic speaking warmly
in praise of the music.
In Tchaikovsky’s nature, side by side with his gentle and benevolent
attitude towards his fellow-men, there existed an extraordinary memory
for any injury; not in the ordinary sense of a desire for revenge, but
in the more literal meaning of unforgetfulness. He hardly ever forgot a
slight to his artistic pride. If it was offered by one whom he had
hitherto loved, he grew suddenly cold to him--and for ever. Not only for
months or years, but for decades, he would bear such a wound unhealed
in his heart, and it took a great deal to make him forget an
inconsiderate word, or an unfriendly action. It was no doubt the result
of having been spoilt as a child. From his earliest infancy he had been
kept from all unpleasantness, or even indifference, so that what would
have appeared a pin-prick to many seemed to him a mortal blow.
Public-domain text, read in full here on John Shaqi.
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