An article on "Vanity Fair" and "Jane Eyre" had appeared in the Quarterly Review of December, 1848. Some weeks after, Miss Brontë wrote to her publishers, asking why it had not been sent to her; and conjecturing that it was unfavourable, she repeated her previous request, that whatever was done with the laudatory, all critiques adverse to the novel might be forwarded to her without fail. The Quarterly Review was accordingly sent. I am not aware that Miss Brontë took any greater notice of the article than to place a few sentences out of it in the mouth of a hard and vulgar woman in "Shirley," where they are so much in character, that few have recognised them as a quotation. The time when the article was read was good for Miss Brontë; she was numbed to all petty annoyances by the grand severity of Death. Otherwise she might have felt more keenly than they deserved the criticisms which, while striving to be severe, failed in logic, owing to the misuse of prepositions; and have smarted under conjectures as to the authorship of "Jane Eyre," which, intended to be acute, were merely flippant. But flippancy takes a graver name when directed against an author by an anonymous writer. We call it then cowardly insolence. Every one has a right to form his own conclusion respecting the merits and demerits of a book. I complain not of the judgment which the reviewer passes on "Jane Eyre." Opinions as to its tendency varied then, as they do now. While I write, I receive a letter from a clergyman in America in which he says: "We have in our sacred of sacreds a special shelf, highly adorned, as a place we delight to honour, of novels which we recognise as having had a good influence on character OUR character. Foremost is 'Jane Eyre.'"