Another eminent actor whom he met for the first time at Piper’s Opera House,--according to his recollection, in the Winter of 1873,--was Dion Boucicault (1822?-1890), who appears to have noticed him as a youth of talent and promise and to have treated him with favor. Boucicault could ingratiate himself with almost any person, when he chose to do so, and,--whenever they may have met,--he readily won the admiration of young Belasco, who closely studied his acting and the mechanism of his plays, and whose work, as a dramatist and a manager, has been, in a great degree, moulded by his abiding influence. Boucicault, [Illustration: Photograph by Sarony. Belasco’s Collection. MRS. D. P. BOWERS] while in Virginia City, employed Belasco as an amanuensis, and (according to Belasco’s recollection) incidentally dictated to him a part of the drama of “Led Astray,” a fabric which he was then “conveying” from a French original, “La Tentation,” by Octave Feuillet (1821-1890). That play was first presented in New York, at the Union Square Theatre, December 6, 1873, with Rose Eytinge and Charles Robert Thorne, Jr., in the leading parts. Another important player with whom Belasco became professionally associated in Virginia City was Katharine Rodgers, a remarkably clever actress and fascinating as a woman, who had gained reputation on the English Stage and who came to America with Boucicault and for some time acted under his direction, in “Mimi,”--a play that he made for her use, out of “La Vie de Bohème,”--and in other plays, winning much popularity. This performer had been the wife of James Rodgers (1826-1890), a genial, respected English actor, long associated with the theatres of Manchester and Birmingham. CONFLICTIVE TESTIMONY.