The Life of George Cruikshank in Two Epochs, Vol. 1. (of 2)Jerrold, Blanchard
General
The Life of George Cruikshank in Two Epochs, Vol. 1. (of 2)
Jerrold, Blanchard
Cruikshank, George, 1792-1878
Here it will be seen Cruikshank assumed much. In the catalogue of his
collected works, printed by the Executive Committee for securing the
collection to the nation, he went further, saying, “So the final effect
of _my note_ was to stop hanging for all minor offences.” The labours of
the famous writers and speakers who advocated a milder code went,
then, for nothing! It was in connection with William Hone that George
Cruikshank suddenly rose to supreme popularity--out rivalling his
compeers, including Rowlandson, then poor and dissipated like Gillray,
and near his end. Cruikshank’s own father’s latest political caricature
had appeared in 1810.
The work which Cruikshank did for Hone, as “The Political House that
Jack Built,” “The Political Showman at Home,” and, lastly, a “Slap
at Slop,” produced at the time of Queen Caroline’s trial, enjoyed an
extraordinary popularity, and commanded an immense circualation.
[Illustration: 125]
“The Queen’s Matrimonial Ladder” * was a great success. The drawings,
“all by Mr. George Cruikshank,” as Mr. Hone advertised, were severely
satirical throughout from the first, where the royal husband drunk, with
a broken wine-glass in his hand, the garter falling from his leg, cards
and dice and bottles scattered at his feet, and the candles guttering in
the sockets, maunders alone to where the fat Adonis is being borne away
in a barrow to the “English cry” of “Cats’ meat.” “Non mi Ricordo” was
another squib of this year.
* The edition before me, dated 1820, is the thirteenth.
In the “Political Showman at Home,” with twenty-four cuts by Cruikshank,
the satire is biting, and the ideas are plentiful. The showman, by way
of introduction, addresses his readers: “Ladies and gentlemen, walk up!
walk up! and see the curiosities and creatures--all alive! alive O! Walk
up! now’s your time! Only a shilling. Please to walk up!
“Here is the strangest and most wonderful _artificial_ cabinet in
Europe!--made of nothing--but _lackerd brass, turnery, and papier
mâchée_--all fret work and _varnish_, held together by _steel points!_
Very crazy, but very curious!
“Please to walk in, ladies and gentlemen--it’s well worth _seeing!_ Here
are the most wonderful of all wonderful living animals. Take care! Don’t
go within their reach--they mind nobody but me! A short time ago they
got loose, and, with some other _vermin_ that came from their _holes
and corners_, desperately attacked a lady of quality; but, as luck would
have it, I and my ‘four-and-twenty men’ happened to come in at the
very moment: we pull’d away, and prevented ‘em from doing her a serious
mischief. Though they look tame, their vicious dispositions are
unchanged. If anything was to happen to me, they’d soon break out again,
and show their natural ferocity. _I’m in continual danger from ‘em
myself_; for if I didn’t watch’em closely, they’d destroy me. As the
clown says, ‘there never was such times,’--so there’s no telling what
tricks they may play yet.
Public-domain text, read in full here on John Shaqi.
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